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Elizabeth Fais

Category Archives: Music

Zen and the art of creative rhythm

06 Sunday Jan 2019

Posted by Elizabeth Fais in Creativity, Music, Writing

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Claude Debussy, Clint Eastwood, creative rhythm, Creativity, Elizabeth Fais, Hillary Swank, Million Dollar Baby, Music, Ray Bradbury, Zen, Zen in the Art of Writing

Dancing figures silhouette

In the Western world, we are judged—and often judge ourselves—by how much we do. That’s not a bad thing, it’s just not always conducive for creativity. Writing, like other creative processes, has a rhythm.

The music is not in the notes, but in the silence between them. —Claude Debussy

Musical structure, by definition, is rhythmic. It relies as much on the silence in between the notes as the notes themselves. The written word is much the same, as is the creative process itself. When creativity is continuously forced, full-speed-ahead, we eventually lose inner and outer balance along with the ability to create.

You may have families, jobs, or other obligations that demand a lot of attention on a daily basis. Making time to write may push your limits some days, especially if you’re on deadline. The secret to maintaining your creative rhythm is to periodically step back, if only for a few moments:Spa rocks and lotus flower

  • listen to classical music during your commute
  • stop for a few minutes to fully appreciate a sunset
  • take a short walk and focus on nature
  • sit for a mini meditation, two or three minutes works wonders

I love the line from the film Million Dollar Baby when Frankie Dunn (Clint Eastwood) tells Maggie Fitzgerald (Hillary Swank), who he’s coaching in boxing, “Sometimes the best punch you can land, is to take a step back.”

This is not a new concept. It’s Zen wisdom that we intrinsically know, but often forget when swept up in the flurry of life’s demands. Ray Bradbury‘s book, Zen in the Art of Writing, provides a deeper look into the practice from the viewpoint of a master.

Musical notes and splashes of color


Mary Poppins gets a spoonful of Google Translate!

22 Saturday Jul 2017

Posted by Elizabeth Fais in Humor, Movies, Music

≈ 5 Comments

Tags

A Spoonful of Sugar, Brian Hull, Chim Chim Cheree, Elizabeth Fais, Feed the Birds, Google Translate, Humor, Jolly Holiday, Malinda Kathleen Reese, Mary Poppins, Musicals, Step in Time, Supercalifragilisticexpialidocious, Walt Disney, Walt Disney Pictures, Walt Disney Studios

The Walt Disney classic film, Mary Poppins, has been translated into 20 languages. Now Google Translate makes for 21. Don’t get me wrong. Google Translate is an amazing tool! But the translation algorithms have somehow managed to develop a language all their own, that no one else quite understands.

Most everyone can recognize at least one of the Mary Poppins songs in the following medley. Many know the words by heart. But even if you’re not an MP aficionado, you’ll pick up on the oh-so unique (!) Google Translate interpretation of the lyrics.

Mary Poppins and Bert in Jolly Holiday

Compare the original lyrics to the songs (in the banner above the window) with the Google Translate version (in subtitles below), and have a jolly good time watching the brilliant video clip. In the words of Google Translate, “Oh, good night is blowing up!”

Sing it again Google Translate … or maybe not


Classical Disruption ~ Flash mob symphony

22 Thursday Jun 2017

Posted by Elizabeth Fais in Classical, Music, Shakespeare

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Berkeley College of Music, Berkeley Contemporary Symphony Orchestra, Boston, Central Park, classical disruption, Classical Music, flash mob, Gustav Holst, Julius Caesar, Jupiter, MA, New York City, Prudential Center, Shakespeare, Shakespeare in the Park, The Planets

Classic — Something of lasting worth, judged over a period of time to be of the highest quality and outstanding of its kind.

But is being of the highest quality enough for an art form to endure centuries, being woven through the fabric of ever-changing modern cultures? I think not. There also must be a transmutable quality that allows for adaptation again and again, so it can be made new without sacrificing quality or substance.

Disruptive transformation

The only constant is change. Without change, there’s stagnation. Presenting an art form in an incongruous manner infuses it with new life, fueling the appreciation of a broader audience.

Berkeley Contemporary Symphony Orchestra

Such is the effect of flash mob symphony. It turns a staid perception of traditional classical music on end—same great music with a fresh new image. An impromptu concert in an unexpected public setting makes the music accessible to the general masses in a provocatively inviting way.

Shakespeare’s plays have been known to disrupt classic expectations too. Such as the recent Trump-like Caesar in New York City’s Shakespeare in the Park production of Julius Caesar.

Flash mob symphony

The Berkeley Contemporary Symphony Orchestra took jollity to the streets—the Prudential Center, Boston, MA, to be exact—with a spontaneous performance of Jupiter, from Gustav Holst’s The Planets. As you watch the video, look for the smiles on the faces of the musicians as well as the crowd, delighting in the beauty of the moment.



Making Magic Out of Life’s Predicaments

22 Monday May 2017

Posted by Elizabeth Fais in Inspiration, Music

≈ 4 Comments

Tags

Benjamin Zander, Boston Philharmonic Youth Orchestra, Classical Music, flash mob, musical magic, orchestra, unfortunate events, Youth Orchestra

Boston Philharmonic Youth Orchestra

I love it when people take an irritating predicament and turn it into a moment of pure magic.

Most of us have been stranded in an airport at least once. For the members of the Boston Philharmonic Youth Orchestra the experience was no different…except in how they handled the inconvenience. No moaning, pouting, or complaining. They turned an unpleasant situation into a joyful encounter for all. I hope their solution to an unfortunate event makes you smile too.

What happens when an orchestra is stranded at an airport?


The Music of Words

19 Thursday Jan 2017

Posted by Elizabeth Fais in Music, Writing

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Am Writing, Crenshaw, Elizabeth Fais, Katherine Applegate, Maggie Stiefvater, Martha Brockenbrough, Mary E. Pearson, Music, Shiver, Stephen King, Story, The Beauty of Darkness, The Game of Love and Death, Truman Capote, Writing

shutterstock_379805902_flipThere is music in words. Listen to a conversation in a language you don’t understand and focus on the lyrical quality. When you aren’t distracted by what is being said, you hear the rhythm of the words and the melody in the tones.

Written words are musical as well. A story, in essence, is a symphony of syllables. Writers weave words into melodies, sentences that flow into passages, then swell into movements.

Writers hear the words as they are put onto the page, as if they being spoken. Their structural tempo evokes mood and conveys emotion. A character’s purpose and journey is intertwined with the melody. The author’s voice is the harmonic fabric that blends intertwining melodies into a vibrant whole.

Many writers find inspiration, and connect with the inner muse, through music. The proof is in the playlists they post on social media, different music for each story.

Find Your Writing Rythm

A writer’s rhythm is their voice. I already have a blog post on The Illusive “Voice” ~ What Editors Want and Writers Seek, so I won’t go into that again. Instead I’ll cut to the chase, to the three simple steps anyone can use to find their unique voice:

  1. Read. Read. Read.
  2. Write. Write. Write.
  3. Repeat.

Read everything in your genre, then read widely in other genres. When you find an author whose style resonates with you, read everything they’ve written. Then read those books again. In the sheer act of reading and rereading their words, you absorb the rhythm of the prose, which miraculously transforms into your own unique voice.

If you don’t have time to read, you don’t have the time or tools to write. ~Stephen King

A writer’s voice isn’t a static. The quality of voice evolves as a writer hones and polishes their craft. It takes both reading and writing to discover your writing rhythm, your voice.

Making Music with Words

A story is a symphony of syllables, with possibilities as rich and varied as the imagination. The following excerpts are from books by remarkable authors, each with a unique voice.

Shiver
by Maggie Stiefvater
: As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselves and warmed the paper and ink inside the covers so that the smell of unread words hung in the air. That was what I loved, when I was human.

The Game of Love and Death
by Martha Brockenbrough: 
“If life didn’t end,” he [Love] said, “there would be no need for me. To choose love indreamstime_xs_182186 the face of death is the ultimate act of courage. I am the joy, but you [Death] are the meaning. Together, we make humanity more than it otherwise might have been.”

The Beauty of Darkness
by Mary E. Pearson: 
The world flickered, pulling us into protective darkness, and I was in his arms again, our palms damp, searching, no lies, no kingdoms, nothing between us but our skin, his voice warm, fluid, like a golden sun, unfolding every tight thing within me, I will love you forever, no matter what happens.

Crenshaw
by Katherine Applegate
: I noticed several weird things about the surfboarding cat. Thing number one: He as a surfboarding cat. Thing number two: He was wearing a T-shirt. It said CATS RULE, DOGS DROOL. Thing number three: He was holding a closed umbrella, like he was worried about getting wet. Which, when you think about it, is kind of not the point of surfing.

Truman Capote understood the music of words. For him, it was the joy of writing.

To me, the greatest pleasure of writing is not what it’s about, but the inner music the words make.~Truman Capote

What story do you need to write, what symphony do you have to play?
Music of words


Walt’s Original Animators ~ Disney’s First Firehouse Band

15 Monday Aug 2016

Posted by Elizabeth Fais in Disney, Disneyland, Music

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Animation, Brass Bell Blues, Clarke Mallery, Danny Alguire, Disneyland, Dixieland Jazz, Ed Penner, Firehouse 5 + 2, Firehouse Five Plus Two, Firehouse Stomp, Frank Thomas, Harper Goff, Jazz, Walt Disney Studios, Ward Kimball

Animation … and All that Jazz

Linger long enough in front of the Firehouse on Disneyland’s Main Street, and you’re FullSizeRenderbound to hear a Dixieland jazz band playing old-time favorites. Few people realize that the first Disney firehouse band was made up of Walt Disney’s original animators. These were the guys who animated Snow White, Pinocchio, Bambi, Cinderella, Sleeping Beauty, Lady and the Tramp, and more…the classics.

There were seven members in the original band, and they called themselves the Firehouse Five Plus Two.

I took this photo on a recent trip to Disneyland. But this band only has six members, not seven like the original firehouse band.

The Firehouse Five Plus Two

The Firehouse Five Plus Two was a hot ticket in the 1950’s. They played around town at night, as well as appearing in several Disney television specials, including the very first special in 1950, One Hour In Wonderland.

I had the opportunity to talk with Frank Thomas, the piano player in the original band. He thought their music caught on, because they played for the sheer joy of it. I don’t doubt that’s true. The band was active from 1949 to 1972, playing and recording while never giving up their day jobs as animators and artists with the Walt Disney Studios. Their more than a dozen records are still available in digital formats today, standing the test of time.

The following image is from their appearance with Bing Crosby on his CBS radio program. [PC: Wikipedia]

Firehouse Five Plus Two with Bing Crosby

Their joyful energy is infectious in the following 1951 recording of “Brass Bell Blues”, featuring Ward Kimball (tb), Danny Alguire (tp), Clarke Mallery (cl), Frank Thomas (p), Harper Goff (bjo), Ed Penner (tu), and Monte Mountjoy (d). Google their names. You might be surprised by the classic Disney magic they each had a hand in creating.


 


The Mystical Power of Music

19 Tuesday May 2015

Posted by Elizabeth Fais in Inspiration, Music

≈ 1 Comment

Tags

aborigine, American Indians, Andre Rieu, Australia, Elizabeth Fais, Hugh Jackman, Music, Nicole Kidman, Over the Rainbow, quantum physics

Musical butterflies

Quantum physics has proved that everything is made up of energy. Everything vibrates, just at different frequencies.

Sound is energy. And the wavelength of a sound determines its pitch, whether the human ear can hear it, and whether it’s pleasant or not. Some say music is the universal language.

Music is precise, like mathematics, and follows strict rules. Yet we’re able to appreciate music, whether we comprehend the rules or not. We “feel” music. The vibrations of one piece of music can affect us in a way no other piece of music will. Music speaks to us intuitively as well as physically. Image by Center for Visual Music.

A Mystical Force

The intrinsic power of music was understood by the American Indians, as well as the AustraliaMoviePoster_Australian aborigines.

In the movie Australia, the aboriginal Shaman used music to guide and direct people and things. The Shaman and his grandson Nullah (a shaman in the making) “sing” things to them, or use the power of music to push things away.

In one scene Nullah changes the course of a stampeding herd of cattle with song. In another scene, he brings his beloved adoptive family back together.

In the 21st century, that might seem a bit far-fetched to some. Especially since the story is a product of Hollywood. But the story rings true, because it’s based on truth. Music is sound waves, sound that connects all life.

In the following scene, Nullah “sings” Sarah (Nicole Kidman) back to him and Drover (Hugh Jackman).


 

Emotion Without Borders

If you need first-hand proof of the universal power of music, follow a popular musician or band as they play in different cities around the world. You might be surprised to witness concert halls filled with smiling and/or dancing people at every performance. It doesn’t matter what country, or the native language.

I first noticed this phenomena a few years ago while watching DVDs of Andre Rieu concerts that were filmed in various countries around the world. The music elicited the same emotional response from the crowds, no matter where they were in the world. The amazing thing is, the phenomena is not limited to a particular type or style of music.


Most of us have felt the mystical power of music at one time or another.

Do you have an experience you’d like to share?


Naturally Bach

21 Saturday Mar 2015

Posted by Elizabeth Fais in Bach, Classical, Music

≈ 12 Comments

Tags

Elizabeth Fais, J.S. Bach, Jesu Joy of Man's Desiring

Simply Brilliant

In honor of Johann Sebastian Bach’s 330th Birthday (Yes, today!) …

Here’s a unique performance of Bach’s famous “Jesu Joy of Man’s Desiring”. It’s played by wooden balls rolling down an incline of wooden steps … in the middle of a forest.

I kid you not.
SimplyBach

Watch the following video.

Seeing (and hearing) is believing!



Joshua Bell ~ Incognito Busker to Subway Station Superstar

13 Monday Oct 2014

Posted by Elizabeth Fais in Classical, Inspiration, Music

≈ 2 Comments

Tags

busker, busking, Classical Music, Education Through Music, Elizabeth Fais, ETM, Gene Weingarten, HBO, Joshua Bell, PBS NewsHour, Union Station, Washington DC, Washington Post, Young Arts Master Class

Even if you’re not into classical music, you’ve probably heard of Joshua Bell. Meg Cabot mentions him in her Princess Diaries series and Vanished series. Or maybe you heard about that guy—the famous musician who played in a train station and no one noticed him. That Guy, was Joshua Bell.

The Urban Legend That Isn’t a Legend

In 2007, Joshua Bell posed as a common busker in a Washington D.C. metro station bell.joshua2012(during morning rush hour) as part of an experiment initiated by Gene Weingarten of The Washington Post. Only seven people, out of thousands, stopped to listen to him. Only one person recognized him. ONE. You can read the full story here.

Since then, Joshua Bell became known as “that guy” who played in a train station. Some people actually told him the story about that guy, not realizing he was that guy. He commented on Twitter that he felt he was in danger of being best known (in his career) as that-guy-who-played-in-the-train-station, and his tombstone would read: “Here he is, underground again.”

The Encore that Packed the Train Station

Union Station Washington DCA cavernous train station is not the usual venue for a classical music superstar. Joshua Bell has played in all the major concert halls around the world. So why would he want to go back to a train station where he was blatantly ignored in 2007?

You can let a situation define you, or you change the situation to reinvent the definition.

That’s just what Joshua Bell did. On September 30, 2014, Joshua Bell turned the tables on DC’s Union Station and created a the ultimate public experience for classical music. This time, his performance at DC’s Union Station was highly publicized and people came out in droves. People who knew the story, but may not have known anything about classical music, packed the gigantic space, pressed shoulder to shoulder, 1500 strong. [image: morguefile.com]

Joshua Bell Encore Concert at Union Station Washington DC Sept 30, 2014

Joshua Bell played the same music he did as an incognito busker (2007), except this time he held a capacity crowd spellbound. You can listen to the entire concert on YouTube Here.

The sheer size of the crowd that greeted him, and the warmth of their reception, made this encore a fitting compliment to his first train station experience. More important, he and the young artists who accompanied him brought beautiful music to the masses. I can’t think of a better ending to the story.

Honesty Hour: I feel compelled to write about Joshua Bell’s encore performance, because I’ve referenced his 2007 busking stint in two other blog posts. I never referred to him as That Guy. Not once. Honest.

PBS NewsHour Interview with Joshua Bell

The following PBS NewsHour video shows footage from Joshua Bell’s first busking experience and clips from his recent encore performance. In the personal interview that follows, Joshua Bell talks about the fate of classical music and the importance of keeping music in schools.

 

Encouraging and Instructing Young Artists

Joshua Bell puts action behind his words, contributing time and energy to the Education Through Music (ETM) program, among other philanthropic endeavors.

Most recently, he taught a Young Arts Master Class—some of his students accompanied him in his Union Station encore performance—which was the basis for a HBO documentary. See the following trailer for details.



11 Year-Old Busking Violinist ~ Fifth Avenue’s Newest Star

14 Sunday Sep 2014

Posted by Elizabeth Fais in Inspiration, Music, New York City

≈ 8 Comments

Tags

Bach Double Violin Concerto, busking, Dylan Hamme, Fifth Avenue, Gene Weingarten, J.S. Bach, Joshua Bell, NBC News, New York City, Stop and Hear the Music, Today Show, Violin, Washington DC, Washington Post

Pint-Size Prodigy Surprised by His Idol on National TV

There’s a new star on New York’s Fifth—Dylan Hamme, an 11 year-old busking violinist. But Dylan isn’t just any ol’ busker. No. He’s a child prodigy on the fast-track to becoming a concert violinist. He’s busking to raise money for conservatory training.

But wait. It gets  better.

Dylan has a sign propped up in his open violin case for passerby donations that states he’s following in the footsteps of his idol, Joshua Bell.

So far it’s true…

11 year-old Dylan Hamme playing his violin on 5th Ave NYC

Joshua Bell started playing the violin at the age of three, the same age Dylan picked up the instrument. Joshua Bell went on to become a world-renowned violin soloist. So far, Dylan is heading in that direction as well. His expert musicianship (along with his sign), caught the attention of NBC News, and they featured him on the Today Show, complete with a surprise visit from his idol. If you don’t cry watching the video clip below, I don’t want to hear about it.

Going out of his way to encourage a young musician is not uncommon for Joshua Bell. He regularly supports projects that teach and encourage young musicians around the world. His philanthropic work with the National YoungArts Foundation over the years has been recognized nationally with high acclaim.


 

Joshua Bell’s Busking Experiment & Sensational Reprise

Joshua Bell is at home in a concert hall, but he’s no stranger to playing on the street. Or a metro station to be exact. In 2007, Joshua Bell posed as a common busker in a Washington D.C. metro station (during morning rush hour) as part of an experiment initiated by Gene Weingarten of The Washington Post. The purpose of the experiment was to see how many commuters would stop and listen to one of the nation’s greatest violinist in an everyday setting. Only one person recognized him. ONE. You can read the full story here.

You can let a situation define you, or you change the situation to reinvent the definition.

That’s just what Joshua Bell did. On September 30, 2014, Joshua Bell turned the tables on DC’s Union Station and created a the ultimate public experience for classical music.

Joshua Bell Encore Concert at Union Station Washington DC Sept 30, 2014

Joshua Bell played the same music he did as an incognito busker (2007), except this time he held a capacity crowd spellbound. You can read about the performance here, and listen to the entire concert on YouTube Here.


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