Category Archives: Writing

Musings from the Writing Cave

09 Tuesday Feb 2021

Posted by in Children's Literature, Fiction, Writing

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desert cave

Hey, remember me? It’s been a little (!) while since my last post.

I wish I could say I’ve been off climbing Mount Kilimanjaro, exploring the mighty Amazon, or bicycling across France. The truth is much less glamorous: I’ve been writing. Not in a real cave, of course, but the term is fitting. Sitting in a dark room with the computer screen the only illumination is pretty cave-like.

Why the self induced seclusion, you ask? Well, as much as I love posting articles here, it took away from what truly makes my heart sing, writing for young readers.

The turning point came when I was accepted into the SCBWI Nevada Mentorship Program where I received a professional structural edit of my young adult novel. To do the work well, I needed to get serious and put in the time required to take that story to the next level. I suddenly realized that the majority of published authors focused on their next book contract, not writing articles for a blog.

I’m delighted to say that I’m currently seeking representation for that young adult novel. And while I wait for responses, I’m developing and revising picture book manuscripts and planning the start of a middle grade novel that’s been simmering on the back burner for several years.

I do love posting articles here and will continue to do so from time to time. However, nowhere near as regularly as I once did. Now, back to word spelunking in the writing cave.

Old-fashioned typewriter

The “Creative High” is real!

25 Thursday Apr 2019

Posted by in Inspiration, Writing

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Creative mind
Artists of all mediums have experienced the energetic bliss of the “creative high” at one time or another. I certainly did when painting and designing, as much as I have while writing. Maybe we didn’t talk about it, but we knew it was there. That it was real. Ray Bradbury, alluded to the creative high in his famous quote on writing:

You must stay drunk on writing so reality cannot destroy you. —Ray Bradbury, Zen in the Art of Writing

In recent years, neuroscientists have conducted studies that scientifically prove what artists of all types have known all along.

The biology behind the magic of “Aha!”

Vienna’s Center for Medical Physics and Biomedical Engineering in collaboration with Goldsmiths University London discovered the secret of the “Aha!-moment”. When people have a flash of insight when solving a puzzle, the mood-enhancing substance dopamine is released. The same is true with artistic creation and insights.

And it just gets better! The initial release of dopamine from a creative endeavor generates continued creativity. L’Amour understood this, as shown in his well known quote on how to avoid writer’s block:

Start writing, no matter about what. The water does not flow until the faucet is turned on. You can sit and look at a page for a long time and nothing will happen. Start writing and it will. —Louis L’Amour

The creative two-step

According to science and world-renown authors, how to get and stay creative can be summed up in two steps:

  1. Do (create), be (happy). Do, be, Do.
  2. Keep on, keeping on.

Backed by science

If you want to learn more about creativity and the chemistry of your brain:

Television IS writing research!

24 Sunday Mar 2019

Posted by in Story, Television, Writing

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Television

It’s true. Watching television—certain television shows at least—is writing research. Especially when you stream a season or watch it on DVD (without commercials) and analyze character and story arcs. I have learned a lot about story structure, character development, and dialog from well written television shows.

For me it started with Joss Whedon and Buffy the Vampire Slayer. Since then, there have been a number of other series that have influenced my storytelling and writing style.

The Closer—This show did an amazing job with character idiosyncrasies as a method Brenda Leigh Johnsonfor building empathy.Here’s the series synopsis: The Closer is a police procedural series, starring Kyra Sedgwick as Brenda Leigh Johnson, a Los Angeles Police Department Deputy Chief. Brenda moved to Los Angeles from Georgia where she trained in the CIA, and gained a reputation as a Closer — a tough interrogator who solves cases and obtains confessions leading to convictions that “close” the case. Deputy Chief Johnson uses her femininity to disarm and distract, and at times resorts to deceit and intimidation to persuade suspects into confessing.

The West Wing—This show excelled on every level. Though, one of the things I loved most was the punchy dialog. What characters say, as well as what they don’t, reveals who they are. Here’s the synopsis: A political drama that followed the triumphs and travails of White House senior staff that won two Peabody Awards, three Golden Globe Awards, and 26 Primetime Emmy Awards, including the award for Outstanding Drama Series, which it won four consecutive times.

The West Wing cast

White Collar—This show had engaging characters and story lines, and plot threads with enough twists to keep the most agile guessing. Here’s the synopsis: Criminal Neal Caffrey has been eluding FBI agent Peter Burke for years, a run that finally comes to an end with his capture. But after the resourceful prisoner escapes from a maximum-security facility, then is nabbed once again by Burke, Caffrey suggests a different end-game: In return for freedom, he’ll help the Feds catch long-sought criminals. Though skeptical, Burke soon realizes that Caffrey’s instincts and insight are a rare commodity. Cast of White Collar

NCIS—This show matches strong characters with thought provoking mysteries. What impressed me the most—maybe because it’s what I needed to learn in my own writing at the time—was the finesse used in creating three-dimensional characters with believable interrelationships with humorous quirks. Here’s the series synopsis: Naval Criminal Investigative Service Special Agent Leroy Jethro Gibbs leads a group of colorful personalities in investigating crimes — ranging from murder and espionage to terrorism — that have evidence connected to Navy and Marine Corps personnel.

NCIS cast

The Marvelous Mrs. Maisel—Smart, funny, and brimming with humanity we can all relate to. This series has a stellar cast and equally talented writers who bring the characters to life. The secondary characters are as brilliant at the main character, Midge Maisel. Every writer can learn something from this series. 8 Emmy Awards back up my opinion. If you haven’t had the pleasure of seeing this series yet, maybe the synopsis will inspire you: It’s the late 1950s and Miriam “Midge” Maisel has everything she has ever wanted — the perfect husband, two kids and an elegant apartment on New York’s Upper West Side. Her seemingly idyllic life takes a surprising turn when she discovers a hidden talent she didn’t previously know she had — stand-up comedy. This revelation changes her life forever as she begins a journey that takes her from her comfortable life on the Upper West Side through the cafes and nightclubs of Greenwich Village as she makes her way through the city’s comedy industry on a path that could ultimately lead her to a spot on the “Tonight Show” couch.

Marvelous Mrs. Maisel

What’s your current fave television series and why?

How to outsmart the traps of ‘Writer’s Time’

29 Tuesday Jan 2019

Posted by in Humor, Writing

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Some days I wonder if Einstein set out to prove his theory of relativity after experiencing the phenomena of writer’s time:

  1. Suspension in the blissful bubble of the sparkly new idea.
  2. Trudging through horrifically hard scenes or the mire of the middle.
  3. The End…that keeps slipping away.
  4. The Wait after submission, when time freezes.

It took a couple of projects before I recognized the phenomena of writer’s time, and a few more before I learned how to sidestep the traps. The secret to managing writer’s time instead of being controlled by it is to juggle. Yes juggle.

Juggling hands

 

1. Blissful Sparkly Idea Bubble

You’ve got a sparkly new idea and you’re glowing with inspiration and so caught up in the creative process you’re not aware of time passing. You dance through the prose, and the story all but writes itself. This phase must be what Ray Bradbury was referring to when he said, “You must stay drunk on writing…” because it feels GREAT. The trap is believing that writing will always be this way. If you do, when the euphoria fades and the real work begins, you’ll quit. The secret is to enjoy the blissful bubble while lasts and accomplish as much as possible. This will help you through the other phases of writer’s time.

Creative inspiration

 

2. Horrifically Hard Scenes and the Mire of the Middle

The blissful bubble popped and you’re face with writing horrifically hard scenes or the slogging through the mire of the middle, and time crawls at a painfully slow pace. Don’t dismay. Every project this phase, to one degree or another. Trust in the process and keep writing. If the muck starts to feel like quick sand, juggle. Pick up another project for a while and rekindle the spark of inspiration. Always remember the quote by Louis L’Amour: “Start writing, no matter what. The water does not flow until the faucet is turned on.”

crawling through the hard scenes

3. THE END is in Sight and Out of Reach

Time fliesTHE END is near, but as you type faster, time speeds up, flying by at a gale force velocity. It’s like being on a treadmill, running in place. Invigorating and infuriating.

You know exactly what needs to happen in your story and what to do to get there. You can taste victory, especially when chocolate is at the end of the deadline, but it’s perpetually out of reach. The secret to remember here is that time is an illusion, and in the end (pun intended) the writer always wins! Keep typing.

4. The Wait

You made your deadline with style and grace, but the excitement of sending off your ‘baby’ soon fades. You put your heart and soul into a story and now it’s gone. The Wait to hear back begins. The trap here is allowing yourself to indulge in feeling lost, or succumbing to insecurity and doubt. Don’t do it!

Instead, juggle. Start a new project, or pick up an old one you put on the shelf. Try a new genre. Write something totally different. Write anything. Keep the creativity flowing. If you don’t, you might find yourself in the same predicament as Han Solo, at the end of The Empire Strikes Back. Frozen. Insecurity, doubt, and fear are insidious. Don’t give them a chance to seep in. Keep writing. The secret to getting published (again and again) is to not give up!

Han Solo

 

Zen and the art of creative rhythm

06 Sunday Jan 2019

Posted by in Creativity, Music, Writing

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Dancing figures silhouette

In the Western world, we are judged—and often judge ourselves—by how much we do. That’s not a bad thing, it’s just not always conducive for creativity. Writing, like other creative processes, has a rhythm.

The music is not in the notes, but in the silence between them. —Claude Debussy

Musical structure, by definition, is rhythmic. It relies as much on the silence in between the notes as the notes themselves. The written word is much the same, as is the creative process itself. When creativity is continuously forced, full-speed-ahead, we eventually lose inner and outer balance along with the ability to create.

You may have families, jobs, or other obligations that demand a lot of attention on a daily basis. Making time to write may push your limits some days, especially if you’re on deadline. The secret to maintaining your creative rhythm is to periodically step back, if only for a few moments:Spa rocks and lotus flower

  • listen to classical music during your commute
  • stop for a few minutes to fully appreciate a sunset
  • take a short walk and focus on nature
  • sit for a mini meditation, two or three minutes works wonders

I love the line from the film Million Dollar Baby when Frankie Dunn (Clint Eastwood) tells Maggie Fitzgerald (Hillary Swank), who he’s coaching in boxing, “Sometimes the best punch you can land, is to take a step back.”

This is not a new concept. It’s Zen wisdom that we intrinsically know, but often forget when swept up in the flurry of life’s demands. Ray Bradbury‘s book, Zen in the Art of Writing, provides a deeper look into the practice from the viewpoint of a master.

Musical notes and splashes of color

It started with a tap dancing cow!

31 Monday Dec 2018

Posted by in Writing

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Tomorrow marks the 7th anniversary of this blog, a blogiversary if you will. It all started with a simple post featuring a tap dancing cow Putting on the Ritz. It’s hard to believe that was 7 years ago!

Tap dancing cow

Dancing…and writing…into the New Year

The focus on blogging has changed in the writing world over the last seven years. Today, Authors spend the majority of their time working on their next project, and very little on blogs. Personally, I enjoy the immediate gratification of writing and posting a short piece and will continue here…though less frequently.

Here’s to a New Year filled with ridiculously spectacular accomplishments!

Mooo-ve over, the best is yet to come!

There’s no time—or age—limit on creativity!

24 Wednesday Oct 2018

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CreativityUnlimited
Mary E. Pearson, author of The Remnant Chronicles, heralded the call to reason that “There is no creative clock ticking!” in her blog post on ageism in YA. This truth, as expressed by New York Times bestselling author Susan Dennard, is worth repeating:

There is no expiration date on writing. There is no expiration date on success, and I will keep preaching this until my younger and older readers believe me.—Susan Dennard

I’m as guilty as anyone for rushing to charge across the Publication Finish Line. I wrote my first young adult novel in two months with the idea that “that would be it.” Luckily, common sense seeped in. I rewrote that book three times before realizing I needed to work on my craft and deepen my understanding of story structure. It finally hit me that once a book is published that’s it. There’s no do-overs. That’s when I decided to take Time out of the Publication Equation.

At a local author event, Mary E. Pearson admitted that it was 10 years before she published her first novel. Her fourth novel, The Adoration of Jenna Fox, was the start of the hit series The Jenna Fox Chronicles. Pearson didn’t rush. She honed her craft and storytelling to resonate on a deeply human level.

Taking time out of the equation

Taking time out of the equation for a project isn’t always easy. It took me a year to figure out the right approach and voice for the picture book manuscript I’m currently revising. I was feeling bad about it taking me so long to get to that point. Then I saw the following tweet by Kate Messner and felt instantly better:

Woke up this morning with the right voice in my head for a picture book I’ve been trying to write for THREE YEARS. Writers, that’s why we should never give up on those dormant drafts! —Kate Messner

In a followup tweet, Kate admitted it had actually taken 4  years!

I’m currently revising for my third young adult novel, as well as my third picture book manuscript. I want my stories to be as good I as I can possibly make them, and I’m willing to work until they get there. You don’t have to be under, or over, a certain age to get published. The secret to getting published is to not give up!

When you’re in a creative slump

I’m not one to wait around for creativity to strike. When I’m in a creativity slump, I work on something different. If that doesn’t help, I immerse myself in other creative mediums, such as film, television series, music, or dance.

If your creativity is in retrograde, check out how some authors get their ideas in my post on how to Be your own muse. You might also like Creativity kickstart for writers ~ 5 super fun steps.

Time is relative. The journey is the reward. Enjoy the ride!

Time-is-irrelevent

The magic of writing conferences ~ Fact & Fiction

10 Friday Aug 2018

Posted by in Inspiration, SCBWI, Writing

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Magic Lamp

I waited way too long to attend my first writers conference. It’s my hope that this post will encourage other budding writers to take the formative step of attending a writers conference, and perhaps inspire veteran writers to keep coming back.

Writing conference reality check

Writing conferences are invaluable for connecting with people who share your passion. Writing is a solitary task, and meeting others who are on the same path is an affirmation that the struggle of words and stories is a valiant one. I always come away from a conference with a sense of kinship, that I belong to a tribe.

SCBWI LA Conference poster 2018

I had some strange ideas about writing conferences that held me back. So I was surprised when magic happened after I pushed past my fears and attended my first conference. Here’s a few things I’ve learned since then:

  • You don’t have to have a polished, ready-to-submit manuscript to attend a writing conference.
  • You can use writing conferences to workshop the first few chapters of a project, to get a barometer reading on the concept, voice, etc.
  • You can benefit tremendously from professional critiques in the early stages of a manuscript, getting feedback on concept, direction, and voice.
  • You learn the business of publishing at writing conferences, a must for anyone who is serious about following the traditional publishing path.
  • You form friendships with writers with which you can exchange constructive feedback, bolster one another through tough times, and celebrate each others successes. In short, friendships that last a lifetime.

The DOs

Books in flight

A few tips for a rewarding conference experience:

  • Seek out writing conferences in your genre. I write for young readers and just returned from the Society of Children’s Book Writers and Illustrators Summer Conference. The Romance Writers of America have their own conference, as do the Mystery Writers of America.
  • Have a goal and focus on those areas, such as craft, genre, or what agents are editors are looking for on their lists.
  • Be open to new ideas and ways of approaching your current work in progress.
  • Be open to suggestions for projects in age groups and genres you haven’t worked in…yet.
  • Listen with an open mind. Simple, yet so important for professional growth.
  • Introduce yourself to the people sitting next to you. You never know, they could be the best friend you’ve been waiting to meet.
  • Relax, absorb as much information as possible, and enjoy the experience.

The DON’Ts

The writing community is small, and industry professionals know one another. A few tips from real-life Conference Horror Stories, and how NOT to become the star of one yourself:

  • DON’T hunt down agents and editors and force your manuscript on them.
  • DON’T hunt down agents or editors at all, unless they previously requested that you do so.
  • Don’t expect to sell your current manuscript for six figures. It could happen, but that’s the exception NOT the rule.
  • Don’t be discouraged by suggestions and feedback from a professional critique. Instead, see them as positive ways to improve so you’ll be able to land your dream agent or book deal.

Most of all, join the FUN ~ Wild Things could happen!

SCBWI Los Angeles 2018 Summer Conference

“Artists and Writers Ball”

Wisdom of Richard Peck ~ Writing for young readers

01 Friday Jun 2018

Posted by in Middle Grade, SCBWI, Writing, Young Adult

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Richard Peck was an influential voice for me when I started writing for young readers, and with good reason. A Long Way From Chicago, coverHe was a National Book Award finalist TWICE, as well as claiming the Newbery Honor (A Long Way From Chicago) and Newbery Medal (A Year Down Yonder). Richard Peck was nothing short of a master and commander in the art of writing for young readers.

Before becoming an author, Richard Peck was a teacher. His classrooms were filled with the young audience he’d later write for. He admitted that, “Junior-high teaching made a writer out of me.” Peck may have left teaching, but he never stopped sharing his wisdom.

I was fortunate to have heard Richard Peck speak at a couple of Society of Children’s Book Writers and Illustrators (SCBWI) conferences. SCBWI even recorded a video Masterclass with Richard Peck on writing the novel for young readers too, that you can purchase for a reasonable price.

A Year Down Yonder, coverRichard Peck shared his wisdom on craft  through essays, as well. The essay he wrote on importance of beginnings—October/November 2006, Horn Book Magazine sparked a writing epiphany for me. In it he said, “The most important secret of writing . . . you are only as good as your opening line.”

At first I thought that was kind of harsh, so I did extensive research. I went to bookstores and libraries, reading ONLY first lines of books. As it turned out, he was right! The books with great first lines I took home and read.

Don’t confuse a great opening line with over-the-top drama, though. A great opening line shouldn’t be about shock-value. When done right, it sets the tone of the story, reveals character, conflict, and theme. It’s the promise of the premise…distilled into one line. Richard Peck would revise his first chapter 24 times (or more), well after he’d completed the manuscript, to make sure it was right.

A Season of Gifts, cover

Short stories comprised Richard Peck’s first published works, covering the gamut of comedy, tragedy, historical, and contemporary. In fact, his short story “Shotgun Chentham’s Last Night Above Ground” was the inspiration for his Living in Chicago series: A Long Way From Chicago, A Year Down Yonder, and A Season of Gifts.

Peck’s collection of short stories, Past Perfect, Present Tense includes insights and advice for aspiring writers, along with some of his own notes. In the introduction, Peck reminds us that “fiction isn’t real life with the names changed. It’s an alternate reality to reflect the reader’s own world.” He also warns burgeoning writers that “a short story isn’t easier than a novel.” In truth, short stories require a type of samurai self-editing that is not for the weak of pen or faint of heart.

Writing lessons learned from Richard Peck

  • Before you write a single word, know your audience. Who will want to read the story you have to write?
  • A story isn’t what is. It’s what if?
  • Fiction is never an answer, always a question.
  • A story, of any length, is about change. The characters can’t be the same in the last paragraph as they are in the first. If there’s no change, there’s no story.
  • The essence of the entire story should be encapsulated on the first page.
  • The first chapter is the last chapter in disguise.
  • The story’s beginning should answer each of the following questions with a satisfied “Yes”: Does it intrigue? Does it invite? Does it work?
  • Strong, colorful characters win over readers, like the quirky, audacious, and warm-hearted Grandma Dowdel in a Long Way From Chicago.
  • An outrageous comic outhouse calamity is often the reason a story is recommended, word-of-mouth over and over again. Memorable scenes create loyal audiences and inspire lifetime readers.

Story ~ Organic symbolism & the language of flowers and trees

08 Sunday Apr 2018

Posted by in Story, Writing

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Symbolism deepens the emotional core of a story, enhancing the three-dimensionality of characters and their relationships. It’s pure magic when done well, but it’ll ooze like a didactic plague if not.

Spring flowers, bouquet

An elegant way to weave symbolism organically throughout a story is through the use of flowers, plants, and trees.

Say it with flowers

It may surprise you that flowers have secret meanings. From Victorian times, and earlier in the Middle East, flowers were used to convey messages due to social mores that dictated suppressed feelings. Society’s stringent rules created a secret language of courtship, love, and friendship through the use of flowers.

For example, daffodils represent new beginnings, lily of the valley imply a return of happiness, bluebells stand for constancy and everlasting love, and tulips (especially red tulips) symbolize perfect love.

Evermore, coverThrough the secret language of flowers, you can layer added depth to a character’s feelings and intentions. But be aware that the colors of certain flowers carry their own significance.

Take tulips, for example, red tulips are associated with true love, while purple symbolize royalty, and white tulips are used to claim worthiness or to send a message of forgiveness.

Alyson Noel used red tulips to portray the quality of the love between the characters in Evermore: The Immortals series.

There are numerous resources for the hidden meaning of flowers. I’ve offered links to a couple of botanical codices below, and there are any number of web sites dedicated to the language of flowers.

Tell it with trees and plants

Tree and plant symbolism was woven through Egyptian and Celtic cultures, and is still influences us Wishtree, covertoday. If flower symbolism doesn’t work for the characters and theme of your story, trees and plants may be an option.

The maple tree is a symbol of strength and endurance. While the willow tree represents mystical powers and a spiritual alignment with the moon, because it thrives near water.

Katherine Applegate used a red oak as the main character in her middle grade novel, Wishtree. An appropriate choice, since the oak is a symbol of wisdom. To the ancient Celts, the oak also represented durability, purity, and constancy.

Stacey Lee weaves an expertly rich tapestry of botanical symbolism throughout her evocative coming-of-age novel, The Secret of a Heart Note. Mimosa is one of the two remaining aroma-experts (aromateurs), and she uses her mystical sense of smell to help others fall in love—while protecting her own heart at all costs.

At once, hopeful, funny, and romantic, Lee’s lyrical language brings the characters and plants to life. You might even catch a hint of the poetically rich aromas as they find their way off the pages and into your heart.

Botanical codices

red tulips