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Elizabeth Fais

Tag Archives: Animation

Walt’s Original Animators ~ Disney’s First Firehouse Band

15 Monday Aug 2016

Posted by Elizabeth Fais in Disney, Disneyland, Music

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Tags

Animation, Brass Bell Blues, Clarke Mallery, Danny Alguire, Disneyland, Dixieland Jazz, Ed Penner, Firehouse 5 + 2, Firehouse Five Plus Two, Firehouse Stomp, Frank Thomas, Harper Goff, Jazz, Walt Disney Studios, Ward Kimball

Animation … and All that Jazz

Linger long enough in front of the Firehouse on Disneyland’s Main Street, and you’re FullSizeRenderbound to hear a Dixieland jazz band playing old-time favorites. Few people realize that the first Disney firehouse band was made up of Walt Disney’s original animators. These were the guys who animated Snow White, Pinocchio, Bambi, Cinderella, Sleeping Beauty, Lady and the Tramp, and more…the classics.

There were seven members in the original band, and they called themselves the Firehouse Five Plus Two.

I took this photo on a recent trip to Disneyland. But this band only has six members, not seven like the original firehouse band.

The Firehouse Five Plus Two

The Firehouse Five Plus Two was a hot ticket in the 1950’s. They played around town at night, as well as appearing in several Disney television specials, including the very first special in 1950, One Hour In Wonderland.

I had the opportunity to talk with Frank Thomas, the piano player in the original band. He thought their music caught on, because they played for the sheer joy of it. I don’t doubt that’s true. The band was active from 1949 to 1972, playing and recording while never giving up their day jobs as animators and artists with the Walt Disney Studios. Their more than a dozen records are still available in digital formats today, standing the test of time.

The following image is from their appearance with Bing Crosby on his CBS radio program. [PC: Wikipedia]

Firehouse Five Plus Two with Bing Crosby

Their joyful energy is infectious in the following 1951 recording of “Brass Bell Blues”, featuring Ward Kimball (tb), Danny Alguire (tp), Clarke Mallery (cl), Frank Thomas (p), Harper Goff (bjo), Ed Penner (tu), and Monte Mountjoy (d). Google their names. You might be surprised by the classic Disney magic they each had a hand in creating.


 


Who’s Your Yoda?

05 Thursday Jun 2014

Posted by Elizabeth Fais in Animation, Inspiration, Writing

≈ 8 Comments

Tags

Animation, computer animation, Elizabeth Fais, Frank Thomas, mentor, Star Wars, Walt Disney Studios, Writing, Yoda

The Magic of a Mentor

YodaI used to believe that I had do everything on my own. If I didn’t, then I couldn’t take credit for the results. Luckily, I met someone who clued me in on an insider secret of the successful:

If you want to be successful at anything, apprentice yourself to someone who’s mastered the art.

Kind of like Yoda, the little green guy from Stars Wars with the pointy ears. Without Yoda mentoring him, Luke Skywalker never would’ve become a Jedi.

I’ll be straight up honest. I didn’t go looking for a mentor. I kinda sorta just bumped into him. By accident. It was one of those serendipitous meetings that changed your life. I wish I could say  that over a few short months I became a shining success in my area of study. But that would be a flat out lie.

The reality took a whole lot longer, and turned out to be better than anything I ever could have imagined. At the time, I wanted to become a computer animator—back when the industry was in its infancy. Along the way, I discovered my passion for writing for young people. Sometimes the wrong path brings you to the right place. And it was my mentor who paved the way for that transition through the (snail mail) letters we exchanged over the years.

The magic of the written word ~ Letters from Frank

I met my mentor, Frank Thomas, in 1983 at a glitzy computer graphics symposium at UCLA. I wandered up to the tradeshow area after one of the panel discussions, and ended up standing next to an old man. I overheard him telling the young woman demonstrating one product that he’d worked at Walt Disney Studios as an animator. He looked pretty old (ancient to a twenty-something-year-old), so I asked, “Did you know Walt?”

“Yes,” he replied. “If he were alive today this is where he’d be”

Me, to myself: You’re my new best friend.

At the time, I didn’t know that Frank Thomas had joined The Walt Disney Company in 1934 as employee number 224. Or that he had animated dozens of animated Frank and Jeanette Thomasfeatures and shorts, including The Brave Little Taylor, Bambi, Lady and the Tramp, Sleeping Beauty, 101 Dalmatians, to name a few. I knew he worked with Walt, and that was good enough for me. Our 21 year conversation started with a single handwritten letter that I sent to Frank, care of the Walt Disney Studios in Burbank.

Over the years, I continued to pursue computer animation, and worked on projects with Silicon Graphics and Dreamworks. Through it all, I  exchanged letters with Frank, and came to  meet his lovely, and amazing wife Jeanette. In a sense, they became like family.

Frank was generous in his letters with his expertise in traditional animation, as well as what he was learning about applying that knowledge to new technology. But it was the “storytelling style” of Frank’s letters that made the biggest impact on me. Early on, I realized I couldn’t write just anything in a letter to him. I had to write a story. I worked to make my letters as entertaining as the ones Frank always sent. He was teaching me about story structure and humor, without realizing it.

Tips on stalking a mentor

If you think “a successful person would never want to help me”, you’re wrong. Not everyone may be as accommodating as Frank Thomas, but if you have a genuine passion for their field and show an enthusiasm for learning, your mentor-of-choice will most likely take you under their wing.

FACT: People like to talk about their passion with others who share their enthusiasm.

Here are a few guidelines you might want to follow:

  • Call to ask for an “informational interview”. This works especially well for high school and college students.
  • Or, write a letter (yes, on paper) stating your purpose and why you chose them a your hero. You can include an email address as a convenience for a return reply.
  • Always be polite and courteous of their time.
  • Be professional (in accordance with industry standards) in dress and speech.
  • If they do meet with you, follow-up with a thank you letter (on paper) expressing an appreciation for their time.
  • If you want to continue working with a mentor, always bring something of interest, such as information about the industry they might not know. Anything that *shows them* you are actively working toward attaining your goal.

Have you Ever worked with a mentor?


 

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Hakuna Matata Dance-Party Friday

17 Friday May 2013

Posted by Elizabeth Fais in Animation, Dancing, Disney, Funny Videos, Movies, Music

≈ 2 Comments

Tags

Animation, Bare Necessities, Dance Party, Dancing, Hakuna Matata, I Wanna Be Like You, Jungle Book, Lion King, Walt Disney Studios

I don’t know about you, but it’s been a long week for me. I met a huge deadline and it went well, but now it’s time to embrace a little Hakuna Matata.

Hakuna Matata

You know the song…

It means no worries for the rest of your days… It’s a problem free philosophy…

WARNING! Fart jokes ahead.
But seriously, what do you expect from a warthog?

Hakuna Matata


[From The Lion King, by Walt Disney Studios]

Well, you’ve got to get in the Dance-Party mood somehow.

But if that’s too much, too soon… Maybe a reminder about what’s really important is in order …  just the bare necessities…

This bear’ll get you dancing in no time…


[From The Jungle Book, by Walt Disney Studios]

That beat had to put a sway in those hips. No, I’m not inferring they are as big as Baloo’s! Chill, will ya?

Now go get your boogie boots. And make John Travolta wish he were like you-hoo-hoo! Note: Hula skirt, headdress, and coconut face mask are optional.

Pushing the Zombie Envelope with “ParaNorman”

13 Thursday Sep 2012

Posted by Elizabeth Fais in Animation, Paranormal, Zombies

≈ 4 Comments

Tags

Animation, ParaNorman, Zombies, ZomCom

You don’t become a hero by being normal…

A misunderstood boy, takes on ghosts, zombies and grown-ups to save his town from a centuries-old curse.

OK. I admit that logline sounds like a dozen other stories in both film and fiction. But I assure you. ParaNorman it’s not normal, in any sense of the word.

I may not be a zombie aficionado, but from what I’ve seen and read, most zombie stories aren’t “delightful”. Which is how one writer friend described ParaNorman. And I totally agree.

Most zombie stories aren’t meaningful in a heartfelt way either. ParaNorman most certainly is, with a dash of macabre for spice. Add a little Joss Whedonesque humor. Toss. Let rest for five minutes before serving. And voila! A Zombie Comedy with heart.

Yes, a Zombie Comedy, or ZomCom. A new genre. Now that’s what I call pushing the envelope!

Five delightful things about ParaNorman:

  1. A sympathetic hero with a HUGe problem: No one understands Norman, except the ghosts he sees (that no one else does). And it’s his special talent that makes him next one in line to prevent the dead from rising when his uncle dies suddenly, before telling Norman how to save the town.
  2. Quirky sidekicks: Gotta love ’em, especially the ones in ParaNorman.
  3. A surprising plot twist or two: No spoilers. But the twists add depth to the story. They’re not just for shock value.
  4. Get dark, get gruesome, then get funny: Joss Whedon we love you for setting this precedent.
  5. It means something: Again, spoiler free. Let’s just say that the theme is acceptance and forgiveness. When was the last time you felt all warm and fuzzy after watching a horror film? ParaNorman was a first for me!


Zombie Aficionados Speak Out!

What’s your favorite zombie story … film or fiction?

Inquiring minds want to know!

Animated Storytelling

17 Sunday Jun 2012

Posted by Elizabeth Fais in Animation, Characters, Story

≈ 7 Comments

Tags

Animation, Bambi, Elizabeth Fais, Emotion Thesaurus, Frank Thomas, Lady and the Tramp, Ollie Johnston, Walt Disney

What animation taught me about storytelling…

I came to writing fiction through animation. Yep, I’m an animation geek, and proud of it! And as circuitous as my journey might sound … it’s not.

Good animation tells a story by showing emotion, the same as fiction. This image of Thumper (from Walt Disney’s “Bambi”) is a perfect example. You can tell Thumper’s been reprimanded by his slumped posture, his paws held behind his back, his ears laid back, and his head tilted downward.

Likewise, in this next image (also from Bambi) it’s obvious the two skunks are infatuated with each other by  their posture, how they hold their hands and look at one another. Good storytelling immerses you in the lives of the characters, so that you feel what they are feeling.

The Walt Disney Studios developed the 12 principles of realistic character-driven animation back in the 1930’s. Those principles are still considered “standard” today. The Illusion of Life, by Frank Thomas and Ollie Johnston, is an insightful read on the history of how these principles were developed.

Writing with Emotional Impact

Writing fiction is not the same medium as animation (duh!), so the techniques a writer must use to immerse an audience are slightly different from the keys to invoking emotion in animation. But not so different. Really. I ask myself the following questions when I begin a  scene. These questions are surprisingly similar to the questions an animator must resolve when animating a scene:

  1. What is the character thinking, and why?
  2. What is the character feeling, and why?
  3. How does the character express their feelings, and how does that vary with the different people in the scene?
  4. What is the arc of the character’s reaction to the circumstances?
  5. What are the character’s strengths and faults, and how do they manifest as a result of the circumstances?

When I understand what’s motivating a character and why, I can figure out how the character will react and what their feeling. I keep a copy of the Emotion Thesaurus handy to prevent myself from using worn out descriptions, or reusing the same ones over and over.

The Bella Note “Spaghetti Scene” in Walt Disney’s Lady and the Tramp is  probably the best-loved scene in animation of all time. It became famous, because we relate to the characters’ feelings (even though they’re dogs). We feel their love for each other through their nuanced looks, expressions, and gestures. Magical storytelling in action! You can watch this remarkable scene here.

Bella Note Lady & the Tramp


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