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Elizabeth Fais

Tag Archives: Am Writing

The “Creative High” is real!

25 Thursday Apr 2019

Posted by Elizabeth Fais in Inspiration, Writing

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Am Writing, Biomedical Engineering, brain chemistry, creative high, Creativity, dopamine, Goldsmiths University, London, Louis L'Amour, Medical Physics, neuroscience, Ray Bradbury, Vienna Center, writer's high, writer's life, Writing, Zen in the Art of Writing

Creative mind
Artists of all mediums have experienced the energetic bliss of the “creative high” at one time or another. I certainly did when painting and designing, as much as I have while writing. Maybe we didn’t talk about it, but we knew it was there. That it was real. Ray Bradbury, alluded to the creative high in his famous quote on writing:

You must stay drunk on writing so reality cannot destroy you. —Ray Bradbury, Zen in the Art of Writing

In recent years, neuroscientists have conducted studies that scientifically prove what artists of all types have known all along.

The biology behind the magic of “Aha!”

Vienna’s Center for Medical Physics and Biomedical Engineering in collaboration with Goldsmiths University London discovered the secret of the “Aha!-moment”. When people have a flash of insight when solving a puzzle, the mood-enhancing substance dopamine is released. The same is true with artistic creation and insights.

And it just gets better! The initial release of dopamine from a creative endeavor generates continued creativity. L’Amour understood this, as shown in his well known quote on how to avoid writer’s block:

Start writing, no matter about what. The water does not flow until the faucet is turned on. You can sit and look at a page for a long time and nothing will happen. Start writing and it will. —Louis L’Amour

The creative two-step

According to science and world-renown authors, how to get and stay creative can be summed up in two steps:

  1. Do (create), be (happy). Do, be, Do.
  2. Keep on, keeping on.

Backed by science

If you want to learn more about creativity and the chemistry of your brain:

  • Dopamine-producing areas of the brain inspire creativity
  • Using Neuroscience to Boost Your Creativity


The mystery of depth ~ Creating characters we care about

29 Sunday Oct 2017

Posted by Elizabeth Fais in Character, Story, Writing

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Am Writing, Blake Snyder, Buffy the Vampire Slayer, Character, Character Arc, Elizabeth Fais, Fiction, interiority, Joss Whedon, literary agents, Mary Kole, NCIS, Save the Cat!, SCBWI, SCBWI San Francisco/South, Society of Children's Book Writers and Illustrators, Writing Irresistible Kidlit

Agents and editors want stories that have characters they can care about, characters with depth. For the longest time, I had no idea how to accomplish this. I knew depth meant complexity, but how you created that quality in characters was a mystery. Then one day, while watching an episode of NCIS, the pieces of the character-depth-puzzle magically fell into place. Who knew Abby and Gibbs would be the key that unlocked this literary mystery?

NCIS -- Abby and Gibbs

1. Mix it up with multiple character traits

In a 2-dimensional painting, everything appears flat. You get the same effect with characters that only have one basic trait—bully, geek, mean girl, wimp, etc. To avoid flat characters, give them multiple traits of varying strengths.

I like the analogy of creating perspective in a painting. What’s in the foreground is mountains at sunsetmore intense and has greater detail. As should be the predominant trait of a character. With increased distance in a painting, objects become lighter and have less detail. Secondary and tertiary character traits should have less focus as well.

When Building a Better Character, reveal the traits over time as the character interacts with others and reacts to various situations.

2. Shake & stir: the good, the bad, and the ugly

Just as characters need a blend of traits to be believable, they must also display a variety of emotions. No one is perfect, and we wouldn’t like them if they were. Show their good side, so we like them, but don’t hold back on the bad and the ugly.

  • There are several types of heroes, each with a different set of predominant emotional archetypes. Who’s your hero?
  • Introduce the Quirky Quotient for a memorable, offbeat character.
  • For more subtle depth, weave in idiosyncracies that Build Empathy.

3. Peal back the layers

It’s human nature. The longer we savor an experience, the richer our enjoyment. This is why it’s important for characters to unfold and grow along with the plot.

Think of pealing back the layers of an onion. Each layer should reveal something unique and intimately real about the character. When we first meet someone, we get a superficial impression of who they are. It takes time, and a variety of experiences, before we get to know who they really are. It should be the same with our characters.

At a San Francisco South Society of Children’s Book Writers and Illustrators (SCBWI) Agents Day conference, former literary agent, Mary Kole explained how to explore a character’s inner life through interiority. Interiority is a combination of the character’s internal dialog and point of view. To learn more, check out her book on Writing Irresistible Kidlit: The Ultimate Guide to Crafting Fiction for Young Adult and Middle Grade Readers.

4. Pressure cook for change

diamond sitting on coalCharacter depth requires change over the course of the story. The Character Arc is a journey that forces the character to confront their frailties to become wiser and stronger.

All great stories are about transformation. To survive, the hero has to change by facing their greatest fear and overcoming it. Blake Snyder—in the popular story structure guide, Save the Cat!—called this The Dark Night of the Soul.

Joss Whedon (Buffy the Vampire Slayer) puts characters through hell—literally and figuratively. This pressure has the same effect as the pressure that transforms a lump of coal into a diamond. It smooths off their rough edges and makes them shine.

You take people, you put them on a journey, you give them peril, you find out who they really are. ― Joss Whedon


Get that Half-Baked Story Out of the Oven!

17 Monday Apr 2017

Posted by Elizabeth Fais in Story, Writing

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Tags

Am Writing, Amie Kaufman, don't give up, Elizabeth Fais, Fiction, Gemina, half baked, Illuminae, Jay Kristoff, Joss Whedon, novel, Story, writer's life, Writing, writing recipe

Writing Recipe for Success

Toddler chefIt happens to every writer. At least once. We start a project, excited and inspired by the sparkly new idea. We run with it, fleshing out characters, working magic with dialog, setting, and plot. Then something happens. Our inspiration dissipates, like air from a hot air balloon. We’re slugging forward through molasses, when once we soared.

It’s easy to get discouraged, or possibly even give up on that great idea at this point. I’m here to tell you…

DO NOT GIVE UP!

Writing a novel is a lot like baking a cake. You carefully organize and mix the ingredients, select and prepare the pan, then put it in the oven to bake at the right temperature for the perfect amount of time. Unlike the cake, a creative oven requires our input for the heat, and the time it takes to fully bake is not always in our favor. Deadliness be damned. Unfortunately, half-baked is only half there.

The good news is that you got the story into the oven. Here’s a few strategies on how you can get it out…fully baked.

Turning Up the Heat

We get stuck in our writing for lots of reasons. The best way to get unstuck is to shake things up, take a new approach, do something totally different. The unexpected has a way of jump starting creativity. Here’s few suggestions:

  • Go someplace you’ve always wanted to, but haven’t. A change of scenery, especially a place that elicits intrigue, works wonders.
  • Watch A LOT of movies and TV shows. Joss Whedon would watch four or five movies in a row (in one day) to study story. You never know what will provide the boost you need for your story.
  • Read A LOT of different things, both magazines and books. Read outside your comfort zone. Change is good. Embrace it.
  • Talk to people who have cool jobs, or who’ve had very different life experiences than your own. This is one of the things Amie Kauffman, co-author of Illuminae and Gemina, does to get new ideas.
  • Go to a public place and people watch. Imagine where they’re going and what they’ll do when they get there. Have fun creating stories without the pressure of an outcome.
  • Start a totally different project in a completely different genre, just for you. Published authors confess to doing this when they’ve been paralyzed under a deadline. TheFemail chef illustration story they started “for themselves” got them excited about writing again and they made their deadline. Those stories later became wildly popular books too. A win-win.
  • Brainstorm with other writers. Especially if you’re under deadline. Screenwriters work this way a lot.
  • Write stuff. Then write more stuff.
  • Fire your internal editor and keep going until you reach The End.

You’re doing great!

 

The Music of Words

19 Thursday Jan 2017

Posted by Elizabeth Fais in Music, Writing

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Tags

Am Writing, Crenshaw, Elizabeth Fais, Katherine Applegate, Maggie Stiefvater, Martha Brockenbrough, Mary E. Pearson, Music, Shiver, Stephen King, Story, The Beauty of Darkness, The Game of Love and Death, Truman Capote, Writing

shutterstock_379805902_flipThere is music in words. Listen to a conversation in a language you don’t understand and focus on the lyrical quality. When you aren’t distracted by what is being said, you hear the rhythm of the words and the melody in the tones.

Written words are musical as well. A story, in essence, is a symphony of syllables. Writers weave words into melodies, sentences that flow into passages, then swell into movements.

Writers hear the words as they are put onto the page, as if they being spoken. Their structural tempo evokes mood and conveys emotion. A character’s purpose and journey is intertwined with the melody. The author’s voice is the harmonic fabric that blends intertwining melodies into a vibrant whole.

Many writers find inspiration, and connect with the inner muse, through music. The proof is in the playlists they post on social media, different music for each story.

Find Your Writing Rythm

A writer’s rhythm is their voice. I already have a blog post on The Illusive “Voice” ~ What Editors Want and Writers Seek, so I won’t go into that again. Instead I’ll cut to the chase, to the three simple steps anyone can use to find their unique voice:

  1. Read. Read. Read.
  2. Write. Write. Write.
  3. Repeat.

Read everything in your genre, then read widely in other genres. When you find an author whose style resonates with you, read everything they’ve written. Then read those books again. In the sheer act of reading and rereading their words, you absorb the rhythm of the prose, which miraculously transforms into your own unique voice.

If you don’t have time to read, you don’t have the time or tools to write. ~Stephen King

A writer’s voice isn’t a static. The quality of voice evolves as a writer hones and polishes their craft. It takes both reading and writing to discover your writing rhythm, your voice.

Making Music with Words

A story is a symphony of syllables, with possibilities as rich and varied as the imagination. The following excerpts are from books by remarkable authors, each with a unique voice.

Shiver
by Maggie Stiefvater
: As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselves and warmed the paper and ink inside the covers so that the smell of unread words hung in the air. That was what I loved, when I was human.

The Game of Love and Death
by Martha Brockenbrough: 
“If life didn’t end,” he [Love] said, “there would be no need for me. To choose love indreamstime_xs_182186 the face of death is the ultimate act of courage. I am the joy, but you [Death] are the meaning. Together, we make humanity more than it otherwise might have been.”

The Beauty of Darkness
by Mary E. Pearson: 
The world flickered, pulling us into protective darkness, and I was in his arms again, our palms damp, searching, no lies, no kingdoms, nothing between us but our skin, his voice warm, fluid, like a golden sun, unfolding every tight thing within me, I will love you forever, no matter what happens.

Crenshaw
by Katherine Applegate
: I noticed several weird things about the surfboarding cat. Thing number one: He as a surfboarding cat. Thing number two: He was wearing a T-shirt. It said CATS RULE, DOGS DROOL. Thing number three: He was holding a closed umbrella, like he was worried about getting wet. Which, when you think about it, is kind of not the point of surfing.

Truman Capote understood the music of words. For him, it was the joy of writing.

To me, the greatest pleasure of writing is not what it’s about, but the inner music the words make.~Truman Capote

What story do you need to write, what symphony do you have to play?
Music of words


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