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Elizabeth Fais

Category Archives: Film

The whole truth about The Pentagon Papers: Most Dangerous + The Post

17 Saturday Feb 2018

Posted by Elizabeth Fais in Film, History, Nonfiction

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Ben Bradlee, Daniel Ellsberg, Elizabeth Fais, Excellence in Nonfiction Award, First Amendment, History, Katharine Graham, Meryl Streep, Most Dangerous, National Book Award, Nixon, Nonfiction, secret history, Steve Sheinkin, Supreme Court, The Pentagon Papers, The Post, Tom Hanks, Vietnam war, YALSA

Film and fiction bring their own strengths to storytelling. The secrets behind The Pentagon Papers requires both to fully understand the people and events that shaped this turning point in American history and culture.

Most Dangerous, by Steve Sheinkin, reveals the how and why The Pentagon Papers were stolen and released to the press by Daniel Ellsberg. The Post (starring Tom Hanks and Meryl Streep), is the story of the Washington Post’s role in exposing the lies behind the Vietnam war to the American public.

Most Dangerous, by Steve Sheinkin

Daniel Ellsberg and the Secret History of the Vietnam War

Most Dangerous, coverDaniel Ellsberg was the obscure government analyst who became “the most dangerous man in America” by risking everything to expose decades of government deception and lies.

The Pentagon Papers—the top-secret history of the Vietnam war—had been kept under lock and key for over a decade, with only the highest ranking government officials aware of their existence. On June 13, 1971, the New York Times blew open the government’s tightly kept secret, exposing The Pentagon Papers to the American public and the world. Secretary of Defense Robert McNamara had documented the government’s actions in the Vietnam War, revealing lies that spanned four presidencies. Sheinkin’s page-turning narrative provides direct insight into the people and political events that brought Ellesberg—a self-proclaimed patriot—to commiting what many would call treason. Sheinkin interviewed Ellsberg and others who were involved in shining the light of truth on The Pentagon Papers. The result is a front row seat to what the New York Times deemed “the biggest story of the century”, as if you are experiencing it unfold in real-time. Thought provoking and emotionally stirring, Most Dangerous delves into the true meaning of patriotism, freedom, and integrity.

Sheinkin’s insightful investigation of The Pentagon Papers was the 2015 National Book Award finalist and winner of the 2016 YALSA Excellence in Nonfiction Award.

The Post

The Post, in comparison, focuses on the unprecedented battle between the press and the The Post, movie postergovernment regarding the right print The Pentagon Papers. Katharine Graham, the country’s first female newspaper publisher and her hard-driving editor Ben Bradlee were the force behind bringing the truth behind the Vietnam war to the American people.

The Washington Post’s legal team advised Graham against publishing the stolen documents, as Nixon would surely slam them with criminal charges. If they lost the legal battle, Graham risked destroying the newspaper that was her family legacy. If they won, she’d the Post would become a national journalistic institution. She was a fighter. She ran the story.

The White House retaliated with full force, and the Post and Times went before the Supreme Court to plead their First Amendment stance. Newspapers across the country rallied the story in solidarity, and the court ruled in favor of the newspaper and the people’s right to know.

Meryl Streep’s performance provides a movingly nuanced reflection of the societal inequality professional women of the time faced. For this reason, The Post is as much a statement about the turning tides of equality as it is about freedom of the press and the American people’s right to know.


Staging and Props ~ Building Character and Depth Into a Story

07 Monday Jul 2014

Posted by Elizabeth Fais in Film, Story, Writing

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Elizabeth Fais, Film, Hollywood, Props, Staging, Story, Universal Studios, VIP Tour, Writing

Props for Props

Creating a believable set for film and television is similar to creating believable settings in fiction. It’s all about staging and props. To be honest, I didn’t realize how much time and attention went into building and dressing a set until I took the Universal Studios VIP Tour. Who knew there’s an entire warehouse filled with every type of prop you can imagine? Seriously.

Universal Studios LA props department

The VIP Tour provides an intimate behind-the-scenes view of how they create television and movie magic. An amazing treat, since I love films. But I was surprised that it also gave me insights into how to craft stories with more character and depth. [photos by moi, Universal Studios Hollywood]

Establishing the Setting

Sound Stage 44 on Universal Studios back lot is where the television show, Parenthood, a NBC family dramedy, is filmed. I learned that it took one day, 12 hours for a team of carpenters to build out the entire set.

Set for Parenthood, Universal Studios, LA

The Craftsman bungalow in Parenthood is set in Berkeley, California. The architecture and location establish the mood and tone of a story, as well as setting expectations for the family that lives there. Their morals, values, even their environmental and political beliefs. If it was a ranch house in Texas, we’d project an entirely different set of expectations on the family. When a setting is fully developed it becomes a character in the story, such as the graveyard in Neil Gaiman’s “The Graveyard Book”.

Dressing the Set

Dressing a set is the process of making it believable, giving it depth that reflects the characters. The Parenthood set took a skilled set designer six weeks to fully dress. The furniture, draperies, books on the bookshelves, pictures on the walls, and the knickknacks were all chosen to reflect the personalities of the people who inhabit the house. Subliminally, those items convey personality and quirks without having to say a word.

Inside the set of Parenthood, Universal Studios, LA

Props are also used to hint at a plot thread or character trait, such as items that are in a bedroom closet, or on display around the room. In an episode of Glee one character was going to enlist in the service, and the set was dressed with patriotic props.

Patriotic props used in an episode of Glee

In fiction, we’re always told “show, don’t tell”. What they fail to say as often is that “what” we show is just important. Too much detail slows a story down. A smattering of well-chosen detail—describing items that convey character and give their personality depth—moves the story forward while keeping the reader engaged.

Staging and props are a craft focus for me in my current project. So, I guess this post is a reminder to myself more than anything.


 

How do you approach staging and props in your stories?

 


 

Trailer Talk: What’s in a voice?

17 Thursday Apr 2014

Posted by Elizabeth Fais in Film, Humor, Movies

≈ 3 Comments

Tags

Don LaFontaine, Elizabeth Fais, Movies, Pablo Francisco, previews, trailers, voiceover

The Movie Preview Guy

Don LaFontaineDon LaFontaine has been the most recognizable voice in movie trailers for decades. His voice had a tenor and resonance that established him as a legend throughout the voiceover industry.

His passing was a huge loss, and the people who have tried to take his place don’t come close to matching his game. To hear “The Voice” tell his own story, go here: Don LaFontaine

Thank goodness for Pablo Francisco and his hilarious spot-on impersonation of LaFontaine—in his standup comedy routine.

Why don’t they hire Pablo to do the voiceovers for movie trailers. WHY?

Pablo Francisco ~ Little Tortilla Boy


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5 Movies that Put the FUN in Dysfunctional Holidays!

10 Tuesday Dec 2013

Posted by Elizabeth Fais in Film, Holiday Irreverence, Movies

≈ 4 Comments

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Alicia Witt, Bruce Willis, Carrie Anne Moss, Chocolat, Die Hard, Die Hard 2, Die Harder, Gerard Depardieu, Giancarlo Esposito, Johnny Depp, Juliette Binoche, Keanu Reeves, Last Holiday, Queen Latifa, The Matrix, Timothy Hutton

I don’t mean to dis the holiday season. But let’s get real. 85% of all families are dysfunctional, in one way or another. For many the holidays can be as much fun as walking on broken glass. Before you’re tempted to string yourself up with those Christmas lights, try a tradition guaranteed to chase away the holiday blues. Put some FUN back in dysFUNctional holidays with these awesome films…

Die Hard

Die Hard poster A New York City cop gets trapped in a Los Angeles high-rise occupied by terrorists on Christmas Eve.

Yes, I’m serious. The original Die Hard movie is one of my favorite holiday movies, for the following reasons:

  1. John McClane’s (Bruce Willis) Christmas Eve is way worse than anybody’s holiday could ever be.
  2. Alan Rickman. Need I say more?
  3. Baddass Bruce tormenting bad guys, as only he can.
  4. Yippe Ki Yay mother **cker! Best action film line ever! Especially when delivered with Baddass Bruce snark.
  5. High intensity fun with a happy ending.

Die Hard 2 –Die Harder

John McClane, officer of the NYPD averts disaster as rogue military officials seize controlDie Hard 2: Die Harder of Dulles International Airport in Washington, D.C. and save his wife Holly who is on one of the planes attempting to land.

Yes, this is my second favorite holiday movie. Which I usually watch right after the first Die Hard movie. Gotta  keep the adrenaline pumping.

  1. This story is also set on Christmas Eve.
  2. The bad guys are new and the technical tactics have gone up a notch, or 10.
  3. More great snarky lines.
  4. Bruce is his same baddass self.
  5. More high intensity fun with another happy ending.

The Matrix

The Matrix posterI’m only going to recommend the first Matrix movie. The other two felt overdone (story-wise), in my humble opinion. But you go ahead and watch all three, if you need the escapism. Here’s the synopsis for the first in the series:

In the near future, a computer hacker named Neo discovers that life on Earth is nothing more than a virtual reality — The Matrix — created by intelligent-machines, so they can farm our life essence and dominate the “real” world. Neo joins like-minded Rebel warriors Morpheus and Trinity to overthrow The Matrix.

What’s so great about that, you ask? Take the red pill and I’ll show you:

  1. This movie has nothing to do with the holidays. At all.
  2. A lean mean Keanu Reeves and kickass Carrie Anne Moss. Take your pick.
  3. Awesome martial arts fight scenes, and slick dodging of bullets.
  4. The story’s existential undertones make it easy to detach from commercially concocted holiday expectations. I mean, seriously… “There is no spoon.”
  5. Your relatives probably won’t want to watch this movie with you.

Chocolat

Chocolat moive posterWhen Vianne (Juliette Binoche), a mysterious stranger, and her child arrive in a tranquil French town in the winter of 1959, nobody expects the impact she and her daughter will have on their community which is stubbornly rooted in tradition. Vianne has the audacity to open a very unusual chocolate shop right across the square from the church. Then her unusual ability to perceive her customers’ private desires and satisfy them with just the right confection coaxes the villagers to abandon their straight-laced ways.

The resident nobleman and self-appointed leader of the town fears Vianne is ruining his town, and forbids anyone from entering her shop. He is hoping to put her out of business, and drive her away forever. And it almost works. But the handsome gypsy, Roux (Johnny Depp), arrives and joins forces with Vianne to liberate the town. A dramatic confrontation ensues, ultimately changing the town, and the people’s hearts, for the better.

This movie’s magical charm is just as powerful as kickass-badass. Here’s why:

  1. The idyllic French country town magically whisks you away and suspends disbelief.
  2. Juliette Binoche and Johny Depp. Your choice.
  3. Rigid traditions fall away in favor of new ways that free the spirit of the town’s people. You’ve gotta love that!
  4. Did I mention Johnny Depp? He plays a twelve string steel guitar. For reals!
  5. The theme of inclusion as a positive force and exclusion as a destructive force hits the right note.

Last Holiday

XMAS_LastHoliday_Right before Christmas, shy New Orleans cookware sales clerk Georgia Byrd (Queen Latifah) receives the news that she has less than a month to live. This harsh reality causes Georgia to rebel against her timid life. She hops on a plane, jetting off on a dream vacation, living like there’s no tomorrow — because for her there isn’t.

Georgia succeeds in shaking up a glamorous European resort spa, commanding the attention of senators and hotel staff alike! LL Cool J, Georgia’s handsome suitor in New Orleans, chases after her for a surprise happy ending.

For those of you who read last year’s — more politically correct — 5 Get-in-the-Holiday-Mood Movies post, you’ll remember this movie was on that list. This is not a mistake. This movie deserves to be on both lists. Here’s why:

  1. Queen Latifa is a hoot-and-a-half.
  2. Great lines all around. The supporting cast (Timothy Hutton, Gerard Depardieu, Alicia Witt and Giancarlo Esposito) are all laugh-out-loud funny.
  3. The beautiful Eastern European mountain setting!
  4. This movie is deep with meaning and big on heart.
  5. It’s a great reminder about what’s important in life. Don’t waste your energy on your annoying relatives. Watch another movie instead!

Do you have any movies to add to this list?

Sharing is caring!


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Writing Lessons Learned from Garry Marshall’s “Happy Days in Hollywood”

28 Monday Oct 2013

Posted by Elizabeth Fais in Autobiography, Film, Humor, Writing

≈ 2 Comments

Tags

Bing Cosby, Danny Thomas, Dick Van Dyke, Elizabeth Fais, Film, Garry Marshall, Gomer Pyle, Happy Days, I Love Lucy, I Spy, Laverne and Shirley, Mork and Mindy, My Happy Days in Hollywood, Pretty Woman, The Odd Couple, The Princess Diaries, Wake Me When It's Funny, Writing

Garry Marshall headshotGarry Marshall is an entertainer, storyteller, but first and foremost a writer. I didn’t realize the extent of his talents until the day I listened to his Director’s Commentary on The Princess Diaries DVD.

Afterward, I immediately ran out and bought his first book, Wake Me When It’s Funny. A delight, with its real-world insider info on what it takes to be a successful writer … in any biz. It’s all about story … whether it’s a screenplay, a novel, or a comedy skit. [image: Wikipedia]

My Happy Days in Hollywood

A few weeks ago I saw a Twitter post about Garry Marshall’s new book, My Happy Days In Hollywood. I immediately went online and ordered it, except this time I opted for the unabridged audio book version that is read by Garry Marshall himself. A real treat. It’s like sitting in a living room with Garry, while he personally tells you his story.

The Writer

Garry Marshall was one of the sickly kids ever, because he was (and still is) allergic to almost everything. As a boy, his main goal was to get out of bed. But all that time in bed forced him to develop his talent for crafting stories. While all the other kids were outside playing, he’d lay in bed and made up stories to entertain himself. Scary stories made him scared, and depressing stories just made him depressed. So he quickly learned that amusing stories worked the best. He looked at life as comedy, and it stuck with him.

Garry Marshall started as a professional writer for stand-up comedians on the New York City nightclub circuit. From there he went to Hollywood, first writing for Bing Crosby, and then for television shows such as The Danny Thomas Show, The Dick Van Dyke Show, I Love Lucy, The Odd Couple, Gomer Pyle, I Spy, and Love American Style. His time in the writing trenches eventually lead to producing and directing, fist television and later movies.

The Producer, Director, & Actor
Garry Marshall was the creator and producer of some of the most popular television shows from the 1970’s, including The Odd Couple, Happy Days, Mork and Mindy and Laverne & Shirley.

HappyDays

Today, most people know Garry Marshall for his more recent work as a director (the The Princess Diaries movies, 1 & 2) and actor. What you might not realize, is that his writing skills helped shape (and in some instances make) successes through the rewrites he contributed to a script. One of his script-transformation successes was Pretty Woman (1990).

The original screenplay was named Three Thousand, and was a dark story about a thirty-something hooker who falls in love with a wealthy businessman who leaves her, and then she kills herself. Disney execs didn’t think that story would do too well at the box office (duh), so they hired Garry Marshall to direct and “lighten the story up.” The rest is history.

I could go on and on about his other successes as a director, producer and actor, but I don’t want to ruin your experience of reading, or listening to, Garry Marshall’s My Happy Days In Hollywood. Instead, I’ll cut to the chase, with the practical lessons I learned from his autobiography. These are lessons that any writer/actor/artist can use to set their career on the success track. Because as one person so aptly stated…

Garry is allergic to everything but success.

Ten Valuable Lessons

Garry Marshall’s books offer a wealth of life experiences that writers, actors, and artists of all kinds can apply to their careers. Here are ten of my favorite:

  1. Go to school (take classes and seminars), learn and improve your craft.
  2. To succeed in Hollywood (or as a writer) you must be prepared for failure and rejection.  You have to feel it’s noble to fail and learn to rationalize, because you are going to get rejected.
  3. Allow yourself 30 minutes a day for self-pity. Then get back to your writing.
  4. You’ve got to try different things (write different types of stories), hit or miss.
  5. Developing friendships in the industry is important. It’s not always who you know, but you never know when it will help. Besides, it makes everything so much more fun.
  6. Pain + time = humor
  7. The key to directing (or writing) is don’t take it too seriously.
  8. Life is more important than show business (writing).
  9. Spend your money going to film festivals (writing conferences). You might meet someone who will further your career.
  10. The real power in Hollywood (publishing industry) is to have passion for your project. That passion radiates and convinces others to believe in it (and you!) too.

The Purpose of Our Craft

Garry Marshall said he wants to be remembered
“for making films that make you feel good … even if you don’t want to.”

How about you?
How do you want to be remembered as a writer?


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