Tag Archives: Film

Weird things I wonder about: WHY butt pockets?!!

13 Saturday Apr 2019

Posted by in Fun Facts, History, Humor

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Wonder is the seed of knowledge.
—Francis Bacon

Well…if this is true…I’m in trouble, because I wonder about some pretty weird stuff sometimes.

Like WHY are butt pockets standard issue on jeans? Seriously, WHY??! You’re just going to sit on whatever is in those pockets…eventually. Nowdays that’s likely to be your smart phone! It makes no sense.

I must admit that wondering about the absurdity of this design decision is what prompted my research into the history and origin of blue jean pockets. So, maybe the knowledge-thing applies here after all. Francis Bacon didn’t say how valuable the knowledge had to be.

The Method Behind Butt Pocket Madness

To understand the reasoning behind (no pun intended) the nonsensical placement of jean pockets, we have to go back to when blue jeans—as we know them today—were first created.

Levi Strauss followed the Gold Rush to California in 1853, where he established a dry goods store. One of the items he carried was blue industrial strength cloth known as denim. A Nevada tailor, by the name of Jacob Davis, bought some of Strauss’s denim and put rivets at pocket corners and other stress points to make them stronger. Davis couldn’t afford to patent the idea on his own, and contacted Strauss with a business plan. The patent was granted to Jacob Davis and Levi Strauss & Company on May 20, 1873, and blue jeans were born.

Prior to Levi Strauss’s blue jeans, people wore overalls for messy jobs and manual labor, such as construction, farm work, and painting. These jobs were generally performed while standing, so pocket placement was intended to make it easy to carry and retrieve tools. Blue jeans were originally intended to be worn for the same type of work, and initially were called waist overalls.

Form follows function. No sitting on jobs, where you carry tools in your pockets. Blue jeans were solely used for doing tough jobs for 80 years, until the mid 1950s.

From Work-Horse Wardrobe to Fashion Forward Fame

What happened to change the fate of the work-horse blue jeans?

James Dean happened.

The blue jeans fashion craze caught fire with James Dean’s signature t-shirt, leather jacket, and blue jeans look in the movie Rebel Without a Cause (1955). Young men across the country copied it immediately.

How did the blue jean fad catch on with young women in a time of poodle skirts and pearls?

Marilyn Monroe started the feminine blue jeans trend when she wore them in the movie The Misfits. Her character joined up with a group of cowboys, and she sported the quintessential female version of James Dean’s Rebel Without a Cause outfit.

In the following decades, Elvis Presley, Marlon Brando, and Henry Winkler (as The Fonz in Happy Days) fanned the flame of the blue jeans fashion frenzy. A trend that’s still burning bright.

THAT my friends is WHY we wear jeans with pockets on our backside.

I wonder what Levi Strauss would think of us carrying a computer—with more power than the one that put the first man in space (and took up an entire floor of a building)—in one of his back jean pockets? I think he’d probably design a more functional garment for that purpose. But that’s just me.

Staging and Props ~ Building Character and Depth Into a Story

07 Monday Jul 2014

Posted by in Film, Story, Writing

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Props for Props

Creating a believable set for film and television is similar to creating believable settings in fiction. It’s all about staging and props. To be honest, I didn’t realize how much time and attention went into building and dressing a set until I took the Universal Studios VIP Tour. Who knew there’s an entire warehouse filled with every type of prop you can imagine? Seriously.

Universal Studios LA props department

The VIP Tour provides an intimate behind-the-scenes view of how they create television and movie magic. An amazing treat, since I love films. But I was surprised that it also gave me insights into how to craft stories with more character and depth. [photos by moi, Universal Studios Hollywood]

Establishing the Setting

Sound Stage 44 on Universal Studios back lot is where the television show, Parenthood, a NBC family dramedy, is filmed. I learned that it took one day, 12 hours for a team of carpenters to build out the entire set.

Set for Parenthood, Universal Studios, LA

The Craftsman bungalow in Parenthood is set in Berkeley, California. The architecture and location establish the mood and tone of a story, as well as setting expectations for the family that lives there. Their morals, values, even their environmental and political beliefs. If it was a ranch house in Texas, we’d project an entirely different set of expectations on the family. When a setting is fully developed it becomes a character in the story, such as the graveyard in Neil Gaiman’s “The Graveyard Book”.

Dressing the Set

Dressing a set is the process of making it believable, giving it depth that reflects the characters. The Parenthood set took a skilled set designer six weeks to fully dress. The furniture, draperies, books on the bookshelves, pictures on the walls, and the knickknacks were all chosen to reflect the personalities of the people who inhabit the house. Subliminally, those items convey personality and quirks without having to say a word.

Inside the set of Parenthood, Universal Studios, LA

Props are also used to hint at a plot thread or character trait, such as items that are in a bedroom closet, or on display around the room. In an episode of Glee one character was going to enlist in the service, and the set was dressed with patriotic props.

Patriotic props used in an episode of Glee

In fiction, we’re always told “show, don’t tell”. What they fail to say as often is that “what” we show is just important. Too much detail slows a story down. A smattering of well-chosen detail—describing items that convey character and give their personality depth—moves the story forward while keeping the reader engaged.

Staging and props are a craft focus for me in my current project. So, I guess this post is a reminder to myself more than anything.

 

How do you approach staging and props in your stories?

 

 

Writing Lessons Learned from Garry Marshall’s “Happy Days in Hollywood”

28 Monday Oct 2013

Posted by in Autobiography, Film, Humor, Writing

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Garry Marshall headshotGarry Marshall is an entertainer, storyteller, but first and foremost a writer. I didn’t realize the extent of his talents until the day I listened to his Director’s Commentary on The Princess Diaries DVD.

Afterward, I immediately ran out and bought his first book, Wake Me When It’s Funny. A delight, with its real-world insider info on what it takes to be a successful writer … in any biz. It’s all about story … whether it’s a screenplay, a novel, or a comedy skit. [image: Wikipedia]

My Happy Days in Hollywood

A few weeks ago I saw a Twitter post about Garry Marshall’s new book, My Happy Days In Hollywood. I immediately went online and ordered it, except this time I opted for the unabridged audio book version that is read by Garry Marshall himself. A real treat. It’s like sitting in a living room with Garry, while he personally tells you his story.

The Writer

Garry Marshall was one of the sickly kids ever, because he was (and still is) allergic to almost everything. As a boy, his main goal was to get out of bed. But all that time in bed forced him to develop his talent for crafting stories. While all the other kids were outside playing, he’d lay in bed and made up stories to entertain himself. Scary stories made him scared, and depressing stories just made him depressed. So he quickly learned that amusing stories worked the best. He looked at life as comedy, and it stuck with him.

Garry Marshall started as a professional writer for stand-up comedians on the New York City nightclub circuit. From there he went to Hollywood, first writing for Bing Crosby, and then for television shows such as The Danny Thomas Show, The Dick Van Dyke Show, I Love Lucy, The Odd Couple, Gomer Pyle, I Spy, and Love American Style. His time in the writing trenches eventually lead to producing and directing, fist television and later movies.

The Producer, Director, & Actor
Garry Marshall was the creator and producer of some of the most popular television shows from the 1970’s, including The Odd Couple, Happy Days, Mork and Mindy and Laverne & Shirley.

HappyDays

Today, most people know Garry Marshall for his more recent work as a director (the The Princess Diaries movies, 1 & 2) and actor. What you might not realize, is that his writing skills helped shape (and in some instances make) successes through the rewrites he contributed to a script. One of his script-transformation successes was Pretty Woman (1990).

The original screenplay was named Three Thousand, and was a dark story about a thirty-something hooker who falls in love with a wealthy businessman who leaves her, and then she kills herself. Disney execs didn’t think that story would do too well at the box office (duh), so they hired Garry Marshall to direct and “lighten the story up.” The rest is history.

I could go on and on about his other successes as a director, producer and actor, but I don’t want to ruin your experience of reading, or listening to, Garry Marshall’s My Happy Days In Hollywood. Instead, I’ll cut to the chase, with the practical lessons I learned from his autobiography. These are lessons that any writer/actor/artist can use to set their career on the success track. Because as one person so aptly stated…

Garry is allergic to everything but success.

Ten Valuable Lessons

Garry Marshall’s books offer a wealth of life experiences that writers, actors, and artists of all kinds can apply to their careers. Here are ten of my favorite:

  1. Go to school (take classes and seminars), learn and improve your craft.
  2. To succeed in Hollywood (or as a writer) you must be prepared for failure and rejection.  You have to feel it’s noble to fail and learn to rationalize, because you are going to get rejected.
  3. Allow yourself 30 minutes a day for self-pity. Then get back to your writing.
  4. You’ve got to try different things (write different types of stories), hit or miss.
  5. Developing friendships in the industry is important. It’s not always who you know, but you never know when it will help. Besides, it makes everything so much more fun.
  6. Pain + time = humor
  7. The key to directing (or writing) is don’t take it too seriously.
  8. Life is more important than show business (writing).
  9. Spend your money going to film festivals (writing conferences). You might meet someone who will further your career.
  10. The real power in Hollywood (publishing industry) is to have passion for your project. That passion radiates and convinces others to believe in it (and you!) too.

The Purpose of Our Craft

Garry Marshall said he wants to be remembered
“for making films that make you feel good … even if you don’t want to.”

How about you?
How do you want to be remembered as a writer?