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Tag Archives: Character

The mystery of depth ~ Creating characters we care about

29 Sunday Oct 2017

Posted by Elizabeth Fais in Character, Story, Writing

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Am Writing, Blake Snyder, Buffy the Vampire Slayer, Character, Character Arc, Elizabeth Fais, Fiction, interiority, Joss Whedon, literary agents, Mary Kole, NCIS, Save the Cat!, SCBWI, SCBWI San Francisco/South, Society of Children's Book Writers and Illustrators, Writing Irresistible Kidlit

Agents and editors want stories that have characters they can care about, characters with depth. For the longest time, I had no idea how to accomplish this. I knew depth meant complexity, but how you created that quality in characters was a mystery. Then one day, while watching an episode of NCIS, the pieces of the character-depth-puzzle magically fell into place. Who knew Abby and Gibbs would be the key that unlocked this literary mystery?

NCIS -- Abby and Gibbs

1. Mix it up with multiple character traits

In a 2-dimensional painting, everything appears flat. You get the same effect with characters that only have one basic trait—bully, geek, mean girl, wimp, etc. To avoid flat characters, give them multiple traits of varying strengths.

I like the analogy of creating perspective in a painting. What’s in the foreground is mountains at sunsetmore intense and has greater detail. As should be the predominant trait of a character. With increased distance in a painting, objects become lighter and have less detail. Secondary and tertiary character traits should have less focus as well.

When Building a Better Character, reveal the traits over time as the character interacts with others and reacts to various situations.

2. Shake & stir: the good, the bad, and the ugly

Just as characters need a blend of traits to be believable, they must also display a variety of emotions. No one is perfect, and we wouldn’t like them if they were. Show their good side, so we like them, but don’t hold back on the bad and the ugly.

  • There are several types of heroes, each with a different set of predominant emotional archetypes. Who’s your hero?
  • Introduce the Quirky Quotient for a memorable, offbeat character.
  • For more subtle depth, weave in idiosyncracies that Build Empathy.

3. Peal back the layers

It’s human nature. The longer we savor an experience, the richer our enjoyment. This is why it’s important for characters to unfold and grow along with the plot.

Think of pealing back the layers of an onion. Each layer should reveal something unique and intimately real about the character. When we first meet someone, we get a superficial impression of who they are. It takes time, and a variety of experiences, before we get to know who they really are. It should be the same with our characters.

At a San Francisco South Society of Children’s Book Writers and Illustrators (SCBWI) Agents Day conference, former literary agent, Mary Kole explained how to explore a character’s inner life through interiority. Interiority is a combination of the character’s internal dialog and point of view. To learn more, check out her book on Writing Irresistible Kidlit: The Ultimate Guide to Crafting Fiction for Young Adult and Middle Grade Readers.

4. Pressure cook for change

diamond sitting on coalCharacter depth requires change over the course of the story. The Character Arc is a journey that forces the character to confront their frailties to become wiser and stronger.

All great stories are about transformation. To survive, the hero has to change by facing their greatest fear and overcoming it. Blake Snyder—in the popular story structure guide, Save the Cat!—called this The Dark Night of the Soul.

Joss Whedon (Buffy the Vampire Slayer) puts characters through hell—literally and figuratively. This pressure has the same effect as the pressure that transforms a lump of coal into a diamond. It smooths off their rough edges and makes them shine.

You take people, you put them on a journey, you give them peril, you find out who they really are. ― Joss Whedon


For the Love of Character ~ Idiosyncrasies that Build Empathy

09 Monday May 2016

Posted by Elizabeth Fais in Character, Fiction, Story

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Brenda Leigh Johnson, Character, crime drama, Deputy Chief, FBI, Fiction, Jon Tenny, Kyra Sedgwick, LAPD, Los Angeles Police Department, Mystery, Story, The Closer, Warner Bros. Television

Building Empathy

I’ve written about various facets of character development in the past, mostly in broad-stroke terms, such as quirky characters who dress like Buster Keaton. Such extreme character traits Brenda Leigh Johnsoncomplement some stories. Other stories require a subtler approach. Developing empathy for a character comes from seeing their idiosyncrasies and flaws, which allows us to identify with them.

Let’s face it. No one can relate to a perfect person, because we all have shortcomings of some kind. Which is why a character’s weaknesses inspire empathy, and in turn cause us to fall in love with them. A tough, no-nonsense investigator who stress eats Ding Dongs (and other sweets) becomes instantly more likable.

Creating empathy is a lot like building trust, it happens over time as we get to know the real person from the inside out.

What “The Closer” Taught Me About Character

Research for writing fiction can cover a broad gamut, including watching television. And you wonder why I love this job?

I write for young readers, and initially started watching The Closer — a Warner Bros. Televsion adult crime drama — to analyze the mystery plot structure and well planned plot twists. The series had garnered more than a few Emmy nominations, and at least one win. I figured I could learn something from the writing. I was right in more ways than anticipated. The Closer showed me the power of everyday character idiosyncrasies as a method for building empathy.

For anyone who hasn’t seen The Closer, here’s the synopsis: The Closer is a police procedural series, starring Kyra Sedgwick as Brenda Leigh Johnson, a Los Angeles Police Department Deputy Chief. Brenda moved to Los Angeles from Georgia where she trained in the CIA, and gained a reputation as a Closer — a tough interrogator who solves cases and obtains confessions leading to convictions that “close” the case. Deputy Chief Johnson uses her femininity to disarm and distract, and at times resorts to deceit and intimidation to persuade suspects into confessing.

The Closer -- Cast

Brenda Johnson is an expert in her field, relentless and often intimidating. As perfect as she is when it comes to succeeding at her job, her foibles make her relatable and endearing. Here are a few of her characteristics that won me over and made me root for her:

  • She dresses feminine and understated like the Southern girl she is, rather than embodying the high-power-business-suit-chic of the other women at her job level.
  • She stress eats sweets, especially Ding Dongs, which she keeps stockpiled in her desk drawer.
  • As powerful as she is at work, she is unable to stand up to her father whenever he comes to visit.
  • She has episodes of disorganized absent-mindedness where she can’t find her phone and loses her purse. Hey, we’ve all been there.
  • Her single-minded focus that makes her so good at her job causes friction in her personal relationships — such as her FBI boyfriend (Jon Tenny) who she eventually marries.
  • She has trouble dealing with simple things in everyday life, like remembering the sex of the stray cat that comes with the house she buys. Brenda calls “Kitty” a “he” even after “she” has kittens. This drives Fritz, her then boyfriend, crazy.
  • She is relentless in her pursuit of a criminal, creating loopholes in the system to pursue justice, even when the victims were less than noble when alive.
  • She uses her Southern charm to get what she wants, always ending an unpleasant request with a sweet “Thank you so much” before anyone can object.
  • She stands behind the people on her team, protecting their jobs during budget cuts, and refusing to believe any one of them could be the cause of the information leak in her department.

Every member of the ensemble cast received their share of idiosyncrasies that endeared them to me as well. And the final season closed with all the necessary ingredients for a satisfying ending.

Brenda and Fritz - Final Season of The Closer


The Illusive “Voice” ~ What Editors and Agents Want & Writers Seek

20 Monday Apr 2015

Posted by Elizabeth Fais in Character, Fiction, Writing

≈ 9 Comments

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Character, Elizabeth Fais, Fiction, Kathleen Applegate, Meg Cabot, Rachel Hawkins, Rebel Belle, The One And Only Ivan, The Princess Diaries, Voice, Writing

Which way?At my first writing conference several years ago, editors and agents told the crowded room of enthusiastic writers that they were looking for “a unique voice”. I had no idea what that meant.

My response: “What the heck is that, and how to I get one?”

Luckily, I had enough sense not to say that out loud. Instead, I kept writing and going to conferences, and eventually I found my “voice”.

If you’ve been writing  fiction for some time, you’ve most likely developed your unique voice. This post is for anyone in the early stages of their writing journey, and are too shy to ask, “what the heck is voice?”

What is “Voice” anyway?

Voice, quite simply, is character and personality.

Voice is the rhythm, tempo, and style that sparks with originality, and projects emotion and tone. Voice blends the personality of the writer with that of the characters in a story.

“What’s so hard about that?” I just have to be myself,” you might be thinking.

True. But in good fiction, characters, events, emotions, and voice need to be larger than life. Translating personality onto the page in a way that is authentic and brings characters to life, can an obscure path to navigate. Trust me on this.

I don’t know about you, but talking about concepts only takes me so far. I need examples to ground ideas in something practical. The following examples of voice are in the first person, so the personality (voice) is easier to ascertain. Third person and omniscient points of view also have distinctive voices, but we’ll save that for another time.

The Princess Diaries

The book series was as popular as the movies, because of the unique voice Meg Cabot brings to her characters. Mia may be a princess, but her voice is that of a quirky, insecure, and slightly irreverent teenager. If you haven’t read the series, it’s a must for character study and voice.

But a PRINCE? Of a whole COUNTRY? I mean, I Princess Diaries DVknew Dad was in politics, and of course I knew he had money–how many kids at my school have summer homes in France? Martha’s Vineyard, maybe, but not France.

So what I want to know is, if my dad’s an actual prince, how come I have to learn Algebra? I mean, seriously.

 

The One and Only Ivan

Katherine Applegate uses the voice of Ivan to tell his heartfelt story. Ivan’s honest simplicity pulls us close and holds us there. Ivan is as believable (as a narrator) as his voice is unique.

 I am Ivan. I am a gorilla.TheOneAndOnlyIvan_cover

It’s not as easy as it looks.

People call me the Freeway Gorilla. The Ape at Exit 8. The One and Only Ivan, Mighty Silverback.

The names are mine. But they are not me. I am Ivan, just Ivan, only Ivan.

 

Rebel Belle

Rachel Hawkins infuses Southern charm and etiquette in the voice of her characters, in this fun and quirky, kick-butt tale.

Now this is when it really gets weird. I know, I know, dead janitor in disguise, killer history teacher, how much weirder could it get?

Lots. Trust me.

When Dr. DuPont put that sword–well, scimitar–on my neck, I didn’t feel scared, like, at all. Instead, I felt that tingle in my chest again, only this time, it was more like this … energy. …

I didn’t knee him in the groin, although I didn’t rule that move out. Instead I … ugh, this is so embarrassing.

I head-butted him.

I know, like a soccer hooligan or something.

Rebel Belle, by Rachel Hawkins

How do you find your voice?

You may be thinking, “Wow, those are great examples. But how do I find my voice?”

It’s a simple, but not quick. Don’t hate me:

Read. Read. Read, and read some more.

Read everything in your genre, then read authors in other genres. When you find an author whose style resonates with you, read everything they’ve ever written. Then read those books again. By reading and rereading their words, you absorb the rhythm and style of the prose. It’s learning through osmosis.

Voice isn’t a static thing, though. It’s a quality that evolves with the author, as they hone and polish their craft. That’s what’s so wonderful about writing. It’s not a static process. There’s always room for growth, for improvement.


Which author’s voice resonates with you?


Music as Character ~ Buffy Wasn’t Just About Slaying Vampires

06 Monday Jan 2014

Posted by Elizabeth Fais in Buffy the Vampire Slayer, Character, Music, Story

≈ 13 Comments

Tags

Buffy the Vampire Slayer, Character, Elizabeth Fais, Joss Whedon, Music, Once More With Feeling, Prayer of St. Francis, Sarah McLachlan, Sarah Michell Gellar, Story

Music that Shaped Buffy the Vampire Slayer

Buffy the Vampire SlayerJoss Whedon inspired many a writer (myself included) with his panache for strong story, witty dialog, and quirky characters in his irreverent series Buffy the Vampire Slayer.

What’s easy to overlook, though, is how Whedon broke new ground with music in the series. To the point where music became a character integral to the story.

Take the Bronze. Sunnydale’s hippster nightclub. Of 144 episodes of the series, 66 have at least one scene at The Bronze. Each of those scenes featured live bands, playing original music. [Wikipedia] By the third season, groups were clamoring to be featured in an episode of Buffy.

But the Bronze’s live music wasn’t just a convenient plot device; it also shaped the mood and tone of the show. New bands from the Los Angeles area were showcased, as well as more well-known artists such as Aimee Mann, Splendid, Cibo Matto, Angie Hart, Michelle Branch, K’s Choice, Garbage and Nerf Herder.  [Wikipedia]

The bands that took the stage at The Bronze weren’t everything, though. The musical scores that flowed through the seven season run, gave depth of story and emotion in equal measure.

Every Buffy fan has their musical favorites. Here are a couple of mine…

Prayer of St. Francis ~ Sarah McLachlan


Try as I might, I couldn’t pick just one favorite song from the classic musical episode, Once More With Feeling, in Season Six, so I opted for the trailer. If you haven’t seen the episode, do it NOW. It’s utterly brilliant. All the more so, when you realize the story, music, and lyrics were all written by Joss Whedon himself!

Buffy ~ The Musical: Once More with Feeling


What’s your favorite Buffy musical moment?


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