Category Archives: Story

Who’s Your Hero?

27 Monday Aug 2012

Posted by in Badass, Blake Snyder, Hero, Inspiration, Story

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7 Great Characters = Heroic Inspiration

Two friends recently honored me with the Very Inspirational Blogger Award.  I owe a special thank you to Janice Hall Check and Ellen Gregory for this nomination, because they are both true inspirations to me.

The thing is, I feel like a poser accepting this award. Maybe because my inspiration comes from someone else. My heroes to be exact. Let me explain. In a recent blog post Lisa Cron talked about her book “Wired for Story” and the scientific evidence that proves we all are. Wired for story that is. We actually learn from the characters in stories because we…

…turn to story to teach us the way of the world…

So I’m not the least bit ashamed to introduce you to the characters who’ve inspired me the most … the good … the badass … and the ugly.

The GOOD…

This is the Fool Triumphant, the good-hearted soul who bungles through life, yet things work out despite the comic results of their actions. Always a good friend, they’re often helpful to a fault.

1. Pooh, in Winnie the Pooh, is a perfect Fool Triumphant, and one of my first and favorite heroes. Image from Wikipedia

2. Forrest Gump (played by Tom Hanks) is a modern, humanized version of Pooh, especially as portrayed in the film adaptation of the story. Forrest’s innocence keeps harm at bay, even when he’s thrown into the most dangerous situations at the height of the Vietnam war. His guileless simplicity prevents him from holding grudges or judging others. He loves is friend Jenny no matter what she does or how long she stays away. There’s a lot to be learned from the unconditional love in this character’s actions.

The BADASS…

These heroes don’t need much of an introduction. We know and love them because they forsake their personal desires, safety, and gain for the greater good.

3. Trinity, from The Matrix, 4. Joan of Arc, 5. Aragorn, from The Lord of the Rings trilogy 6. Neo, from The Matrix

the UGLY…

The Anti-Hero is a tricky one, because he’s flawed to a fault. So for us to care about this hero, there has to be something about him that we can empathize with on some level. Anne Lower’s blog post about developing the anti-hero in her series explains this character perfectly:

Give ‘em a limp and an eyepatch!” was one of Blake’s favorite phrases. And, by that, he meant try loading your character up with problems, challenges to face, physical quirks, troubled pasts that would work to help the audience identify with or be interested in your hero’s (or heroine’s) journey.

We want this ugly hero to win, despite what he’s done. My favorite anti-hero is …

7. Captain Jack Sparrow, played by Johnny Depp in the Pirates of the Caribbean series (Walt Disney Pictures). What he lacks in a limp and an eye patch, he more than makes up for with swagger and a sword. I admit Johnny Depp can never be ugly, even with eyeliner, dread locks, and a braided beard. But Jack Sparrow is a pirate, who by definition pillages, plunders, and even murders when necessary. What’s endearing about Jack Sparrow, is that he acts honorably toward his friends and ship mates, even when he doesn’t really want to.

Blake Snyder and the “Superhero”

Writers That Inspire

The following authors and screenwriters have been a true inspiration to me … what they write, who they are, and their personal writing journeys …

So… Who’s your Favorite hero?

Dig Deep for a Story that Resonates

10 Friday Aug 2012

Posted by in Blake Snyder, Story, Writing

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What makes a story resonate? … The truth of its theme.

Simple, huh? Maybe for the Writing Pros, but when I first started on my writing journey? Not so much.

Theme Demystified

The THEME of a story relates to what the main character needs to become whole, happy, or fix a major character flaw.

How does that work, exactly? Glad you asked. The main plot (A story) focuses on the main character’s desire, what she wants. Then the subplot (B story) facilitates her coming to realize what it is she truly needs, and that changes her life.

Sound like gobbledy-gook? Yeah, I thought so too. I needed visual examples. Which is why Blake Snyder’s “Save The Cat!” approach to story works so well for me. Let me break it down for you…

Miss Congeniality

In Miss Congeniality, Gracie Hart (Sandra Bullock) is a woman in a predominantly male profession. She “wants” nothing more than to excel at her job and be taken seriously (A story). So much so that she shuns her femininity. The theme of this story comes out when Gracie states that she doesn’t need to worry about being feminine because she’s a FBI agent.  But is that true?

What Gracie “needs” is to realize that she will be more successful at her job by accepting her femininity, without dumbing-down. Through her interactions with the other beauty contest contestants (B story), she comes to realize that she can be tough and feminine. And it’s that combination that wins Gracie true respect from her fellow agents, along with the professional and personal success she’s been seeking.

“Wants” versus “Needs”

I’d like to say that I “got this” the first time Blake and Jose Siliero explained it to me. But, no. It took me a few stories and as many workshops for this concept to finally sink in. I’d be struggling with how to fix the story mess I had on my hands, when Jose would ask calmly, “What does your character want? What does your character need?” And as if by magic, I’d see the solution! (Hint, hint! Jose’s Beat Sheet Workshops are awesome!) Image credits: Miss Congeniality

Dig a Little Deeper

That’s what Blake Snyder would say whenever someone was stuck on a story beat that had to do with theme: “Dig a little deeper.”

So, it’s no wonder that I had another one of those “jump out of my seat in a packed movie theater” moments when the following scene from The Princess and the Frog  (Walt Disney Pictures) played across the screen. It was like Blake and Jose were the ones who were up there singing. Seriously.

Blake Snyder and Jose Siliero were story consultants on Princess and the Frog. Once again, it’s a testament to their contributions that this song was included in the movie. Image credits: The Princess and the Frog

Mama Odie tells the two main characters (who were turned into frogs by black magic): “You all want to be human, but you’re blind to what you need.” Then bursts into song…

Dig a little deeper, to find out who you are … When you find out who your are, you find out what you need…

This scene is hilarious, because it’s so true!

The “Save The Cat!” Giveaway WINNERS Are….

…..Drum roll…..

 *****Tosses Copious Amounts of Confetti *****

  • Tami Clayton
  • Janice Heck
  • Elaine Smothers

Yes THREE, count them THREE winners! BJ Markel, a long-time friend of Blake’s, is helping to support this Giveaway in Blake’s honor.

Animated Storytelling

17 Sunday Jun 2012

Posted by in Animation, Characters, Story

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What animation taught me about storytelling…

I came to writing fiction through animation. Yep, I’m an animation geek, and proud of it! And as circuitous as my journey might sound … it’s not.

Good animation tells a story by showing emotion, the same as fiction. This image of Thumper (from Walt Disney’s “Bambi”) is a perfect example. You can tell Thumper’s been reprimanded by his slumped posture, his paws held behind his back, his ears laid back, and his head tilted downward.

Likewise, in this next image (also from Bambi) it’s obvious the two skunks are infatuated with each other by  their posture, how they hold their hands and look at one another. Good storytelling immerses you in the lives of the characters, so that you feel what they are feeling.

The Walt Disney Studios developed the 12 principles of realistic character-driven animation back in the 1930’s. Those principles are still considered “standard” today. The Illusion of Life, by Frank Thomas and Ollie Johnston, is an insightful read on the history of how these principles were developed.

Writing with Emotional Impact

Writing fiction is not the same medium as animation (duh!), so the techniques a writer must use to immerse an audience are slightly different from the keys to invoking emotion in animation. But not so different. Really. I ask myself the following questions when I begin a  scene. These questions are surprisingly similar to the questions an animator must resolve when animating a scene:

  1. What is the character thinking, and why?
  2. What is the character feeling, and why?
  3. How does the character express their feelings, and how does that vary with the different people in the scene?
  4. What is the arc of the character’s reaction to the circumstances?
  5. What are the character’s strengths and faults, and how do they manifest as a result of the circumstances?

When I understand what’s motivating a character and why, I can figure out how the character will react and what their feeling. I keep a copy of the Emotion Thesaurus handy to prevent myself from using worn out descriptions, or reusing the same ones over and over.

The Bella Note “Spaghetti Scene” in Walt Disney’s Lady and the Tramp is  probably the best-loved scene in animation of all time. It became famous, because we relate to the characters’ feelings (even though they’re dogs). We feel their love for each other through their nuanced looks, expressions, and gestures. Magical storytelling in action! You can watch this remarkable scene here.

Bella Note Lady & the Tramp

Live or Die … by Your First Line

01 Friday Jun 2012

Posted by in Elizabeth Fais, Story, Writing

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Your life depends on one sentence … what would you say?

A little drastic. But you kept reading. Right? Which was the point. First lines matter. A lot. Especially for a young audience. Texting and tweeting has narrowed the overall attention span to 140 characters. Or less.

Which means you have to grab your reader on the First Line, hook them by the First Paragraph, and hold them captive by the First Page.

Richard Peck’s essay on the importance of opening lines (November 2006, Horn Book Magazine) changed my writing. He said that, “The most important secret of writing . . . you are only as good as your opening line.”

I thought that was kind of harsh at first. Then, I spent a lot of time going to bookstores and libraries and reading ONLY first lines. And I came to see that he’s right. The books that had amazing first lines I ended up reading.

A great opening line shouldn’t be just about shock-value. It should set the tone of the story, reveal character,  conflict, and theme. It’s the promise of the premise … in encapsulated form. Not easy to do. at all. I know (from first-hand experience). But when a first line is done well, it has an awesome effect on a reader! Something I also learned first-hand. Which is why, I now work on the opening line of a story until it has the grab-em-and-keep-em hook of a smash-hit movie trailer.

Gotta Love those “Firsts”…

From all those “one line stands” I fell in love with more than a few books

All from reading … one … single … sentence.

And if it can happen to me, I am sure it happens to young readers. When they read an opening line that takes their hand and leads them into a world of imagination and wonder.

Here are a few of my all-time favorite opening lines:

  • “If your teacher has to die, August isn’t a bad time of year for it.” THE TEACHER’S FUNERAL by Richard Peck.
  • “I come from a family with a lot of dead people.” EACH LITTLE BIRD THAT SINGS by Deborah Wiles.
  • “When the doorbell rings at three in the morning, it’s never good news.” STORMBREAKER by Anthony Horowitz.
  • “I witnessed the kidnapping of Betty Ann Mulvaney.” TEEN IDOL by Meg Cabot.
  • “Being dead became fashionable approximately forty-five minutes after Samantha ‘the Divine’ Devereaux came back from summer break.” DEAD IS THE NEW BLACK by Marlene Perez.
  • “My name is India Opal Buloni, and last summer my daddy, the preacher, sent me to the store for a box of macaroni-and-cheese, some white rice, and two tomatoes and I came back with a dog.” BECAUSE OF WINN-DIXIE by Kate DiCamillo.
What first line hooked you into reading the entire story?

The Positive Power of Desperation

29 Sunday Apr 2012

Posted by in Blake Snyder, Elizabeth Fais, Save the Cat!, Story

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The secret universal force

We’ve all been there … trapped in a situation or predicament, barely hanging on. We’re so tired, that we don’t think we can stand it another second. The only problem is, we’re stuck. And someone coming to save us? Yeah, that’s not gonna happen. We’re ready to give up/give in, but some small part of us can’t and won’t. That small voice grows and morphs into a hurricane force of determination that seizes control of the situation/predicament and kicks our butt clean out of the miserable situation/predicament.

That, my friends, is the Positive Power of Desperation in action. Get to know it. It is your friend.

Desperation Transformation … Zero to Hero

The Positive Power of Desperation is as essential to your protagonist as it is to you. This is the secret force that pushes your main character to transform into the heroine she is meant to be.

Blake Snyder (Mr. Save the Cat!) gives a nod to the Positive Power of Desperation when he describes the Dark Night of the Soul moment in a story (Blake Snyder Beat Sheet). The protagonist is worse off than when the story started, plagued with confusion, doubt, and remorse. It’s a scary and painful place. The protagonist is standing on a precipice, and must face an ugly truth about themselves–a deeply buried flaw–for their transformation to happen. The Positive Power of Desperation is what propels the hero through his cocoon, transforming him into a butterfly. This is the heart of every story … what really counts. It’s the hero’s moment.

In the Hunger Games, the All Is Lost moment comes with Rue’s death. Katniss bottoms out in the Dark Night of the Soul as when prepares Rues body and sings her a parting song. Katniss has to face how she’s lived her life being satisfied with mere survival. At the end of her song to Rue, Katniss lifts her hand in a signal of defiance.  She’s done playing by the Capitol’s rules and she’s not afraid to show it. In the words of Master Cat, Jessica Brody, in her Hunger Games Beat Sheet:

She turns to the sky and lifts three fingers upward, a symbol that was established earlier during the catalyst moment as an act of defiance. Katniss’s transformation from survival-obsessed girl who will do anything to win, to the leader of a revolution is nearly complete!

How has the Positive Power of Desperation transformed your life…
Or the lives of your charcaters?