Tag Archives: Mary E. Pearson

There’s no time—or age—limit on creativity!

24 Wednesday Oct 2018

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CreativityUnlimited
Mary E. Pearson, author of The Remnant Chronicles, heralded the call to reason that “There is no creative clock ticking!” in her blog post on ageism in YA. This truth, as expressed by New York Times bestselling author Susan Dennard, is worth repeating:

There is no expiration date on writing. There is no expiration date on success, and I will keep preaching this until my younger and older readers believe me.—Susan Dennard

I’m as guilty as anyone for rushing to charge across the Publication Finish Line. I wrote my first young adult novel in two months with the idea that “that would be it.” Luckily, common sense seeped in. I rewrote that book three times before realizing I needed to work on my craft and deepen my understanding of story structure. It finally hit me that once a book is published that’s it. There’s no do-overs. That’s when I decided to take Time out of the Publication Equation.

At a local author event, Mary E. Pearson admitted that it was 10 years before she published her first novel. Her fourth novel, The Adoration of Jenna Fox, was the start of the hit series The Jenna Fox Chronicles. Pearson didn’t rush. She honed her craft and storytelling to resonate on a deeply human level.

Taking time out of the equation

Taking time out of the equation for a project isn’t always easy. It took me a year to figure out the right approach and voice for the picture book manuscript I’m currently revising. I was feeling bad about it taking me so long to get to that point. Then I saw the following tweet by Kate Messner and felt instantly better:

Woke up this morning with the right voice in my head for a picture book I’ve been trying to write for THREE YEARS. Writers, that’s why we should never give up on those dormant drafts! —Kate Messner

In a followup tweet, Kate admitted it had actually taken 4  years!

I’m currently revising for my third young adult novel, as well as my third picture book manuscript. I want my stories to be as good I as I can possibly make them, and I’m willing to work until they get there. You don’t have to be under, or over, a certain age to get published. The secret to getting published is to not give up!

When you’re in a creative slump

I’m not one to wait around for creativity to strike. When I’m in a creativity slump, I work on something different. If that doesn’t help, I immerse myself in other creative mediums, such as film, television series, music, or dance.

If your creativity is in retrograde, check out how some authors get their ideas in my post on how to Be your own muse. You might also like Creativity kickstart for writers ~ 5 super fun steps.

Time is relative. The journey is the reward. Enjoy the ride!

Time-is-irrelevent

The secret to getting published: Don’t give up!

31 Sunday Dec 2017

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Writing your first book is a thrill like no other, a total high. Then the rejections come, and reality sets in. Fast. The thing is, rejections are part of the process. Get over it and keep going.

There’s no such thing as an overnight success

That is…unless you count the 10 years of hard work that came before. We’ve all heard the stories of the famous author whose success happened overnight.

The truth is, it didn’t. Successful authors put in years of work before ever getting published.

All that work was the foundation for the great books that lead to their success.

  • J.K. Rowling taught school and then was a researcher and bilingual secretary for years, all the while writing fiction on the side. She was unemployed and near poverty when she wrote the first Harry Potter novel, Harry Potter and the Philosopher’s Stone.
  • Meg Cabot spent several years (!) rigorously submitting manuscripts before landing her agent. She got a book deal after that, but had to keep working at her job and New York University until her success with The Princess Diaries series.
  • Kate Dicamillo received something like 463 rejections before selling her first book. She went on to be one of six people to win two Newberry Medals—for The Tale of Despereaux and Flora and Ulysses—all because she didn’t give up.
  • Mary E. Pearson, author of the New York Times Bestselling series The Remnant Chronicles, admitted at an author event that she wrote five (!) novels that would never see the light of day, and that it took ten years before she sold the one that made her a published author.

The difference between a published author and an unpublished author is that the published author didn’t give up.

 

How to keep writing while dodging tornadoes

TornadosLife drops roadblocks and raves in our paths—like tornadoes dropping from the sky—forcing our writing onto uncharted detours. Who knew dodging tornadoes would be a valuable writing skill?

There are happy detours, and those filled with sadness and loss. Even life threatening, if you discover a loved one’s being extorted by the Russian mafia and they come after YOU when you publicize their crimes across social media, looping in the FBI. Hey, it could happen. Tornadoes come in all shapes and sizes, all equally disruptive to our writing goals.

Whatever tornado you’re dodging right now…know you are not alone. Here’s a few things that kept me going when tornado dodging got tough:

  • Write something every day. Even if it’s only a note to remind you to write something better tomorrow.
  • Go to author visits. Invariably, you’ll hear the ordeal that published author went through to get their first book deal.
  • Read. Read. Read. It’s the next best thing to writing. You’ll be surprised how much you absorb on craft, especially when reading a variety of genres.
  • Watch TV series in your genre. It’s a great way to study story and character development.
  • Read author blogs that inspire you.
  • Read books on craft that help polish your writing weaknesses. We all have them. Most of us, more than one.
  • Remember what got you excited about writing. Revisit whatever it was that sparked the creative fire that set you on your writing journey.
  • Believe you’ll make it across the publishing bridge after the tornadoes pass. Because you will. As long as you don’t give up.

Rainbow Bridge

 

The Music of Words

19 Thursday Jan 2017

Posted by in Music, Writing

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shutterstock_379805902_flipThere is music in words. Listen to a conversation in a language you don’t understand and focus on the lyrical quality. When you aren’t distracted by what is being said, you hear the rhythm of the words and the melody in the tones.

Written words are musical as well. A story, in essence, is a symphony of syllables. Writers weave words into melodies, sentences that flow into passages, then swell into movements.

Writers hear the words as they are put onto the page, as if they being spoken. Their structural tempo evokes mood and conveys emotion. A character’s purpose and journey is intertwined with the melody. The author’s voice is the harmonic fabric that blends intertwining melodies into a vibrant whole.

Many writers find inspiration, and connect with the inner muse, through music. The proof is in the playlists they post on social media, different music for each story.

Find Your Writing Rythm

A writer’s rhythm is their voice. I already have a blog post on The Illusive “Voice” ~ What Editors Want and Writers Seek, so I won’t go into that again. Instead I’ll cut to the chase, to the three simple steps anyone can use to find their unique voice:

  1. Read. Read. Read.
  2. Write. Write. Write.
  3. Repeat.

Read everything in your genre, then read widely in other genres. When you find an author whose style resonates with you, read everything they’ve written. Then read those books again. In the sheer act of reading and rereading their words, you absorb the rhythm of the prose, which miraculously transforms into your own unique voice.

If you don’t have time to read, you don’t have the time or tools to write. ~Stephen King

A writer’s voice isn’t a static. The quality of voice evolves as a writer hones and polishes their craft. It takes both reading and writing to discover your writing rhythm, your voice.

Making Music with Words

A story is a symphony of syllables, with possibilities as rich and varied as the imagination. The following excerpts are from books by remarkable authors, each with a unique voice.

Shiver
by Maggie Stiefvater: As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselves and warmed the paper and ink inside the covers so that the smell of unread words hung in the air. That was what I loved, when I was human.

The Game of Love and Death
by Martha Brockenbrough: “If life didn’t end,” he [Love] said, “there would be no need for me. To choose love indreamstime_xs_182186 the face of death is the ultimate act of courage. I am the joy, but you [Death] are the meaning. Together, we make humanity more than it otherwise might have been.”

The Beauty of Darkness
by Mary E. Pearson: The world flickered, pulling us into protective darkness, and I was in his arms again, our palms damp, searching, no lies, no kingdoms, nothing between us but our skin, his voice warm, fluid, like a golden sun, unfolding every tight thing within me, I will love you forever, no matter what happens.

Crenshaw
by Katherine Applegate: I noticed several weird things about the surfboarding cat. Thing number one: He as a surfboarding cat. Thing number two: He was wearing a T-shirt. It said CATS RULE, DOGS DROOL. Thing number three: He was holding a closed umbrella, like he was worried about getting wet. Which, when you think about it, is kind of not the point of surfing.

Truman Capote understood the music of words. For him, it was the joy of writing.

To me, the greatest pleasure of writing is not what it’s about, but the inner music the words make.~Truman Capote

What story do you need to write, what symphony do you have to play?
Music of words

The Magic of “GREAT!” Beginnings

13 Monday Jun 2016

Posted by in Books, Story, Writing

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Spellbinding Firsts

Magic of a good bookWhat is it about one book that you can’t put down once you start reading, and another that you can’t get past the first few pages? “Magic?” you say. I’d have to agree, if the magic is that of an intriguing story well told.

How does a writer work that magic into a story? How do we conjure the spell?

Multiple Newbery Medal winner, Richard Peck, shed insight on the magic behind great beginnings in an article in that appeared in the September/October 2006 issue of The Horn Book Magazine. Then, at a SCBWI annual summer conference, he expanded on his theory that, “You are only as good as your first line.” The secret he related was that, “the essence of the entire story should be encapsulated on the first page.” Yes, the entire story…is an expanded reflection of the first page.

No wonder Richard Peck revises his first chapter again and again, and then once more after he’s finished the book. Because…

The first chapter is the last chapter in disguise.

Peck keeps working on the beginning of a story until he can answer each of the following questions with a satisfied “Yes”:

Does it intrigue? Does it invite? Does it work?

He should know. Multiple Newbery Medals don’t lie. Applying concepts to my own writing is always easier when I have quality examples to study for structure. The following books provide insights into how great beginnings work, each in its own way:

The Kiss of Deception

The Kiss of Deception, the first in The Remnant Chronicles series by Mary. E. The Kiss of DeceptionPearson, is expertly crafted in many ways. The beginning is no exception. The opening paragraphs wrap us in a lyrical voice and language that intrigue, engender suspense, and unfold threads of magic that alight to weave their magic throughout the series:

Today was the day a thousand dreams would die and a single dream would be born.

The wind knew. It was the first of June, but cold gusts bit at the hilltop citadelle as fiercely as deepest winter, shaking the windows with curses and winding through drafty halls with warning whispers. There was no escaping what was to come.

The Game of Love and Death

Game of Love and Death The Game of Love and Death, by Martha Brockenbrough, is an eternal love story staged by the ultimate masters of the game of life: Love and Death.

The masters choose players to unwittingly participate in a romantic dance through a life filled with jazz clubs and airfields. The players’ dance comes to such a poignant and satisfying culmination, that even the arch nemeses are overwhelmed by its divine beauty.

Brockenbrough establishes the fable in entrancing magic from the first paragraph, weaving the lyrical rhythm of language and fully developed characters with expert elegance:

The figure in the fine gray suit materialized in the nursery and stood over the sleeping infant, inhaling the sweet, milky night air. He could have taken any form, really: a sparrow, a snowy owl, even a common house fly. Although he often traveled the world on wings, for this work he always preferred a human guise.

The One and Only Ivan

The One and Only Ivan, by Katherine Applegate, is a fictional story that was inspired by Ivan, aTheOneAndOnlyIvan_cover real gorilla at the Atlanta Zoo. You can read about the real Ivan here.

The One and Only Ivan is both heartbreaking and heartfelt, brimming with the tenacity of true friendship and the beauty of resolute spirit. Ivan’s soulful voice, his big heart, and the simple honesty of his view of the world draw us in and hold us till the well-deserved happy ending:

I am Ivan. I am a gorilla.

It’s not as easy as it looks.

People call me the Freeway Gorilla. The Ape at Exit 8. The One and Only Ivan, Mighty Silverback.

The names are mine, but they are not me. I am Ivan, just Ivan, only Ivan.

Also Known As

Also Known AsGreat beginnings don’t have to be serious. They can be fresh and fun too, like Also Known As by Robin Benway.

Maggie Silver is the safe cracking prodigy of parents who work for the world’s premier spy organization. Maggie’s sass and snark don’t disappoint on this fast-paced caper, rife with international espionage and the unexpected perils of negotiating high school and first love:

I cracked my first safe when I was three.

I know that sounds like I’m bragging, but really, it wasn’t that hard. It was a Master Lock, the same combination lock that you probably have on your locker or bike. Anyone with Internet access and too much time on his or her hands can crack a Master Lock. I’m serious. Google it. I’ll wait.

See? Easy.