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Monthly Archives: January 2016

The Covenant of the Character Arc ~ Raise the Stakes & Make it Count

31 Sunday Jan 2016

Posted by Elizabeth Fais in Story, Writing

≈ 1 Comment

Tags

All Is Lost, Bad Guys Close In, Beat Sheet, Blake Snyder, BS2, Buffy the Vampire Slayer, Character Arc, Dark Night of the Soul, Elizabeth Fais, Harry Potter, J.K. Rowling, Joss Whedon, Miss Congeniality, Sandra Bullock, Save the Cat!, Tim Stout

Stories help us cope with the chaos of life. They show us how to navigate social situations and overcome adversity. A New York Times article, “Your Brain on Fiction”, by Annie Murphy Paul, discusses studies that prove this.

For a story to fulfill its function and satisfy the human spirit, there has to be change. The covenant of the (character) arc, as Blake Snyder so wisely described it, is the necessity for characters to change. The measure of change is a character’s arc. In the best stories, all characters arc except the bad guy. J.K. Rowling did an excellent job of this throughout the Harry Potter series.

Harry Potter

The Transformation Machine

Shake. Stir. Whip. Frappe. Do whatever it takes to force your characters to confront their frailties and become wiser, stronger, better. Blake Snyder, Mr. Save the Cat! referred to this process as the Transformation Machine.

All stories are about transformation. And seeing this as a good thing is the starting point of writing a successful story of any kind. ― Blake Snyder

In essence, the hero’s transformation mirrors the process of a caterpillar turning into a butterfly. A type of death and rebirth are required to complete a satisfying character arc. Take Gracie Hart, the unrefined FBI agent (Sandra Bullock) in Miss Congeniality, who must become a polished beauty pageant contender in order to solve the crime and save the lives of her new friends.

Miss Congeniality, Sandra Bullock

Dishing out conflicts for characters isn’t always easy, but  it’s a must. To achieve a great ending—as described in Secret Ingredients of a Satisfying Ending—the characters have to change. A lot.

There are plenty of character arc graphs and charts. I understood the theory, but applying it evaded me until I read Save the Cat! The Last Book on Screenwriting You’ll Ever Need. The Blake Snyder Beat Sheet (BS2) story points, or beats, that push the character arc include: Bad Guys Close In, All Is Lost, and Dark Night of the Soul. Tim Stout provides excellent descriptions for each of these beats here.

Make ‘Em Suffer Till They Shine

It’s simple. To survive, our hero has to change. Joss Whedon (Buffy the Vampire Slayer) puts characters through hell—literally and figuratively. This pressure has an effect similar to that which transforms a lump of coal into a diamond. It files down the hero’s rough edges and makes him shine.

You take people, you put them on a journey, you give them peril, you find out who they really are.
― Joss Whedon

Buffy the Vampire Slayer

Take it up a notch!

In chemistry, heat accelerates change. The same is true for stories. Here’s a few suggestions for turning up the heat and increasing the transformation process:

  • Make the Bad Guy badder—For the protagonist to be perceived as the hero he is, the Bad Guy has to be as bad as possible. The villain must be an equal match for the hero, but willing to do whatever it takes to win. Beating the villain has to seem impossible, so when the hero wins he shines brighter.
  • Increase internal conflicts—Fear, doubt, jealousy, shame, any and all emotional trauma. Bring it. The pressure makes the hero to face his inner demons, and forces him to realize that what he thinks he wants isn’t what he really needs. Dig Deep for a Story That Resonates shows how this can strengthen the story’s theme.
  • Increase external conflicts with friends and relatives—Betrayal, abandonment, rifts in trust, arguments, even death. Pile it on. These conflicts push the hero to his lowest, forcing him to find strength he didn’t know he had.
  • Throw in a force of nature—Wind, rain, earthquake, snakes, anything to make your character’s goal harder to accomplish. These obstacles can force the hero to overcome his flaws.
  • Blow something up—A couple of authors shared this advice at a conference. The event has to be organic to the story and plausible for the characters. The action must also come from a deep emotional need to force transformation. Extreme times call for extreme measures.

Enhance the Heat

Stories have flavor. And just like a great meal, flavor is enhanced when complimented by an opposite. To strengthen the impact of a transformative moment, pair it with its opposite.

Joss Whedon said it best…

Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke.
― Joss Whedon


Secret Ingredients of a Satisfying Ending

03 Sunday Jan 2016

Posted by Elizabeth Fais in New York City, Story, Writing

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Tags

Elizabeth Burke, Elizabeth Fais, endings, FBI, Mozzie, Neil Caffrey, New York City, NYC, Peter Burke, Story, story elements, White Collar, Writing

A great beginning keeps readers turning the pages. A great ending builds a fan base, because readers will be thinking about the book long after turning the last page. We’ve all experienced the satisfaction of a perfect ending to a book, movie, or television series. But what’s the secret?

What makes the ending of one story great, while another story’s ending leaves us unfulfilled?

The finale of the TV series WHITE COLLAR helped solve this mystery for me. The series ending was so perfect, I couldn’t help breaking it down, analyzing the elements that lead up to a culmination of satisfaction.

But first, an overview of the series for those who may not be familiar with the main characters and premise of the series.

White Collar ~ The Series

Cast of White Collar

The third time turns out to be the charm for criminal Neal Caffrey. He has been eluding FBI agent Peter Burke for years, a run that finally comes to an end with his capture. But after the resourceful prisoner escapes from a maximum-security facility, then is nabbed once again by Burke, Caffrey suggests a different end-game: In return for freedom, he’ll help the Feds catch long-sought criminals. Though skeptical, Burke soon realizes that Caffrey’s instincts and insight are a rare commodity. Caffrey’s trusted friend and co-conspirator with ties to the criminal underworld, Mozzie, also becomes a useful source for Burke and the FBI. [Series Synopsis]

The series was well written with engaging characters and story lines, and plot threads with enough twists to keep the most agile guessing. Mozzie, Neil’s sidekick, added a delightful streak of rebellious quirkiness for comic relief.

Ingredients of a Great Ending

*** SPOILER ALERT ***
If you don’t want to know how White Collar ends, STOP now.

Ingredients for a satisfying ending, with examples from White Collar:

  1. The promise of the premise for the story and the genre is paid off. The FBI promised Neil Caffrey his freedom if he was instrumental in helping them solve their toughest ‘white collar’ cases. To satisfy the promise for this genre, justice had to be served to this end. Neil does go free after making the ultimate sacrifice when pulling off a sting on a treacherous ring of international thieves.
  2. The main character’s arc (Neil Caffrey) is completed in a believable fashion. Neil’s loyalty to Peter (as an FBI representative) and his wife Elizabeth becomes true, when he realizes his freedom ultimately threatens the lives of the couple and their unborn child. Neil also shows deep remorse when his actions hurt an innocent young woman he’s forced to befriend to bring down the thieves. For the first time he questions his life and the role he plays with the FBI. The completion of the character arcs for Peter and Elizabeth Burke, and of course, Mozzie, though less dramatic, are equally rewarding. It would take too long to explain them all here in detail. Trust me. Better yet, watch the series.
  3. The main character earns the payoff, internally as well as externally. In the end, Neil overcomes his inability to trust Peter (as an FBI representative), and puts the safety and well-being of his friends before his own. To ensure their safety, Neil secretly masterminds the final phase of the sting. His selfless actions earn him his freedom and happiness.
  4. There’s a significant sacrifice for the pay off. For Neil to earn his freedom (payoff), he made the ultimate sacrifice. He fakes his own death to ensure the lifelong safety of his friends—sparing them from retaliation by the gang members caught in the sting. Neil can never talk to or see the people who mean the most to him again. The ingenious method he uses to fake his death added to the overall satisfaction.
  5. Enough is left to the imagination without leaving unanswered questions. Everything isn’t tied up neatly, leaving “what happens next” up to the audience’s imagination. In the final scenes, Peter Burke discovers clues leading to the storage locker Neil secretly rented during the initial planning of the sting. What Peter finds gives him insights into how Neil faked his death, thus assuaging his remorse over the loss of his friend. In the final shot, we see Neil strolling down a Parisian side street wearing his fedora, a satisfied smile on his face and a carefree spring in his step.

 

If you have an a Perfect ending Element to add to the list, Please do!

 


Holy Cow! A Mooonlight Serenade Revival

01 Friday Jan 2016

Posted by Elizabeth Fais in Cows, Dancing, Fun, Humor

≈ 4 Comments

Tags

A Glass and a Half Full Production, blogoversary, cow, Elizabeth Fais, Funny Videos, Moonlight Serenade, tap dancing, Tap Dancing Cow

It’s hard to believe that I started this blog four (4!) years ago today. I was so timid about publishing my first post. Ha! Timid no more. That’s for sure.

To ensure that I don’t take myself (or what I write) too seriously, I’m reviving that first post from January 1, 2012. Light in word count (?!), but it launched me into the blogosphere. And that’s what counts.

Thank you all for being part of this wonderful journey.

Fred Astaire, move over for the Tap Dancing Cow!


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