Monthly Archives: August 2015

Realistic Character Relationships ~ Friend Zone Fact & Fiction

21 Friday Aug 2015

Posted by in Character, Writing, Young Adult

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I followed several Twitter accounts aimed at high-school-age audiences last year, to keep a pulse on the voice, attitudes, issues of today’s teens–a socially acceptable form of Friends1creative eavesdropping.

The exercise paid off better than expected. I found the snarky male voice for my current YA project, and got a glimpse of a teenage guy’s point of view on topics. Topics guys typically didn’t discuss in front girls when I was in high school, but don’t hesitate to tweet about now. Thank you, social media.

One thing I was particularly surprised by, was how easily (it seemed) guys (in the tweets I was reading) believed they’d been friendzoned. That place no one wants to end up when it comes to their crush.

Friend Zone:
When one person wants a romantic relationship with another person
and the person of their affection isn’t interested.

When “Friends” Doesn’t Mean “Friendzoned”

As I develop the relationship between the main characters in my current YA project, this topic came up again. Like so many teens, they have to navigate the pitfalls leading to a romantic relationship. Their personal issues intertwine with their character arcs to deepen the plot. How they relate to others shows who they are, and what they’re made of.

teenage relationshipWhat worried me so much about the “friendzoned” tweets was the innocence of the (girl’s) remarks that made the guy think he’d been kicked into the friend zone.

I realize a lot of tweets are meant for pure entertainment, especially those for a teenage audience. Still, over time I saw a definite trend across the accounts I was following.

In one repeated scenario, the girl referred to the guy as a “friend” after they’d just started talking and the guy assumed he’d been friendzoned. Maybe…but probably not. Healthy long-term relationships start with friendship. At least that’s been my experience. I’d worry if a guy didn’t want to develop a friendship, because that attitude smacks of a casual hook up.

Another scenario involved the girl who remarked “That is so sweet!” after the guy did something super nice for her. In his mind, that one short sentence sent him to the Friend Zone. Um… No. She was probably surprised by his gallant gesture, and at a loss for originality.

Friend Zone Fact and Fiction

My characters stress over being sucked into the Friend Zone mire too. They face the same relationship anxieties as normal teens, all while working to stay alive and outsmart the CIA. Which is the reason for these (hopefully) helpful guidelines:

  1. When you and your crush first start talking, if they refer to you as a “friend” it means they like you teenage relationships(read: romantically). It’s why they’re talking to you.
  2. The Friend Zone isn’t a virus you catch. You usually get there through misinterpreted signals and lack of action.
  3. Not all Friend Zones are created equal.
  4. The Friend Zone does not discriminate. Girls can get stuck in the Friend Zone too.
  5. You can put yourself in the Friend Zone. Don’t.
  6. The Friend Zone is not the Dead Zone.
  7. Sirius Black escaped from Azkaban, so anyone can escape the Friend Zone. It takes planning, positive attitude, and action.
  8. Starting off as friends is a good thing. Happy, long-lasting relationships begin with friendship.

[Photo Credits: morguefile.com]

Remembering Blake Snyder ~ Mr. Save The Cat!

04 Tuesday Aug 2015

Posted by in Blake Snyder, Save the Cat!, Story

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If  you’re lucky, at least once in your life you meet a teacher who explains things in way that no one else could … and you finally “get it”. Blake Snyder was that teacher for me.

Blake Snyder’s Save the Cat! books and Beat Sheet Workshops on story structure transformed my writing career. He helped hundreds of other writers–screenwriters and novelists alike. Yes, hundreds. The truth is you can have the most eloquent writing style on the planet, but without a compelling story you won’t engage readers.

Blake Snyder passed away on August 4, 2009, but his spirit lives on in the stories Save The Cat! continues to influence.

Why Save The Cat?

I  rewrote my first novel three times, and still didn’t get the story right. Save The Cat!Worse, I didn’t have a clue how to fix it. A little internet intervention changed all that.

Amazon recommended “Save The Cat! The Last Book on Screenwriting You’ll Ever Need” based on past books I’d ordered about (real) cats. I’d never read a book on screenwriting, but since Save the Cat! was the last book I’d ever need, I thought, “Why not?”

Save the Cat! is the term Blake uses to describe the scene–usually early in a story–where the hero does something nice that makes us sympathize with him/her…like saving a cat.

Guidelines for story structure are a lot like the principles of music theory you’d follow to compose a song or symphony. Certain patterns are intrinsically more pleasant, they resonate deeper and are more satisfying.

Save The Cat! explains the basic story types, then breaks each story into the 15 beats (plot points) that will make it satisfying. Following these story sign posts allows me more creative license when it comes to the actual writing. Who knew?

The Transformation Machine

Blake often talked about The Transformation Machine in relation to the hero’s character arc. Every satisfying story is about change, and the Transformation Machine forces the hero to do just that. On the hero’s journey, two stories are told: the external/physical and the internal/emotional. As Blake Snyder put it…

All stories are about transformation. And seeing this as a good thing is the starting point of writing a successful story of any kind. Something has to happen, change has got to occur. That’s why the opening image (the snapshot of the world BEFORE) of a movie script has to be the opposite of the final image (the snapshot of the world AFTER.)

You can hear the Blake himself talk about the Transformation Machine in the following video clip:

 

Blake – the Pigeon – in “Bolt”

Blake Snyder and Jose Silerio worked as a team, consulting on a number of Hollywood A-List movies. BOLT, the feature animation by Walt Disney Pictures, was one of those films. The following scene is a testament to their contribution. Blake, the screenwriting pigeon, and his writing partner pitch their movie idea. When I saw BOLT in the theater, I almost jumped out of my seat and yelled, “I know Blake!” Simply priceless!