Realistic Character Relationships ~ Friend Zone Fact & Fiction


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I followed several Twitter accounts aimed at high-school-age audiences last year, to keep a pulse on the voice, attitudes, issues of today’s teens–a socially acceptable form of Friends1creative eavesdropping.

The exercise paid off better than expected. I found the snarky male voice for my current YA project, and got a glimpse of a teenage guy’s point of view on topics. Topics guys typically didn’t discuss in front girls when I was in high school, but don’t hesitate to tweet about now. Thank you, social media.

One thing I was particularly surprised by, was how easily (it seemed) guys (in the tweets I was reading) believed they’d been friendzoned. That place no one wants to end up when it comes to their crush.

Friend Zone:
When one person (in these tweets it was always a guy) wants a romantic relationship with another person (always a girl in these tweets) and that person isn’t interested.

When “Friends” Doesn’t Mean “Friendzoned”

As I develop the relationship between the main characters in my current YA project, this topic came up again. Like so many teens, they have to navigate the pitfalls leading to a romantic relationship. Their personal issues intertwine with their character arcs to deepen the plot. How they relate to others shows who they are, and what they’re made of.

teenage relationshipWhat worried me so much about the “friendzoned” tweets was the innocence of the (girl’s) remarks that made the guy think he’d been kicked into the friend zone.

I realize a lot of tweets are meant for pure entertainment, especially those for a teenage audience. Still, over time I saw a definite trend across the accounts I was following.

In one repeated scenario, the girl referred to the guy as a “friend” after they’d just started talking and the guy assumed he’d been friendzoned. Maybe…but probably not. Healthy long-term relationships start with friendship. At least that’s been my experience. I’d worry if a guy didn’t want to develop a friendship, because that attitude smacks of a casual hook up.

Another scenario involved the girl who remarked “That is so sweet!” after the guy did something super nice for her. In his mind, that one short sentence sent him to the Friend Zone. Um… No. She was probably surprised by his gallant gesture, and at a loss for originality.

Friend Zone Fact and Fiction

My characters stress over being sucked into the Friend Zone mire too. They face the same relationship anxieties as normal teens, all while working to stay alive and outsmart the CIA. Which is the reason for these (hopefully) helpful guidelines:

  1. When you and your crush first start talking, if they refer to you as a “friend” it means they like you teenage relationships(read: romantically). It’s why they’re talking to you.
  2. The Friend Zone isn’t a virus you catch. You usually get there through misinterpreted signals and lack of action.
  3. Not all Friend Zones are created equal.
  4. The Friend Zone does not discriminate. Girls can get stuck in the Friend Zone too.
  5. You can put yourself in the Friend Zone. Don’t.
  6. The Friend Zone is not the Dead Zone.
  7. Sirius Black escaped from Azkaban, so anyone can escape the Friend Zone. It takes planning, positive attitude, and action.
  8. Starting off as friends is a good thing. Happy, long-lasting relationships begin with friendship.

[Photo Credits:]

Remembering Blake Snyder ~ Mr. Save The Cat!


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If  you’re lucky, at least once in your life you meet a teacher who explains things in way that no one else could … and you finally “get it”. Blake Snyder was that teacher for me.

Blake Snyder’s Save the Cat! books and Beat Sheet Workshops on story structure transformed my writing career. He helped hundreds of other writers–screenwriters and novelists alike. Yes, hundreds. The truth is you can have the most eloquent writing style on the planet, but without a compelling story you won’t engage readers.

Blake Snyder passed away on August 4, 2009, but his spirit lives on in the stories Save The Cat! continues to influence.

Why Save The Cat?

I  rewrote my first novel three times, and still didn’t get the story right. Save The Cat!Worse, I didn’t have a clue how to fix it. A little internet intervention changed all that.

Amazon recommended “Save The Cat! The Last Book on Screenwriting You’ll Ever Need” based on past books I’d ordered about (real) cats. I’d never read a book on screenwriting, but since Save the Cat! was the last book I’d ever need, I thought, “Why not?”

Save the Cat! is the term Blake uses to describe the scene–usually early in a story–where the hero does something nice that makes us sympathize with him/her…like saving a cat.

Guidelines for story structure are a lot like the principles of music theory you’d follow to compose a song or symphony. Certain patters are intrinsically more pleasant to us, they resonate deeper and are more satisfying.

Save The Cat! explains the basic story types, then breaks each story into the 15 beats (plot points) that will make it satisfying. Following these story sign posts allows me more creative license when it comes to the actual writing. Who knew?

The Transformation Machine

Blake often talked about The Transformation Machine in relation to the hero’s character arc. Every satisfying story is about change, and the Transformation Machine forces the hero to do just that. On the hero’s journey, two stories are told: the external/physical and the internal/emotional. As Blake Snyder put it…

All stories are about transformation. And seeing this as a good thing is the starting point of writing a successful story of any kind. Something has to happen, change has got to occur. That’s why the opening image (the snapshot of the world BEFORE) of a movie script has to be the opposite of the final image (the snapshot of the world AFTER.)

You can hear the Blake himself talk about the Transformation Machine in the following video clip:


Blake – the Pigeon – in “Bolt”

Blake Snyder and Jose Silerio worked as a team, consulting on a number of Hollywood A-List movies. BOLT, the feature animation by Walt Disney Pictures, was one of those films. The following scene is a testament to their contribution. Blake, the screenwriting pigeon, and his writing partner pitch their movie idea. When I saw BOLT in the theater, I almost jumped out of my seat and yelled, “I know Blake!” Simply priceless!

Disneyland’s Matterhorn Bobsleds ~ Icon of Imagination & Innovention


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The Man Behind the Mountain

I admire a guy with the audacity to build a replica of the most iconic mountain in the Swiss Alps amidst the (then) orange groves of Southern California, within in sight of the Santa Ana Freeway … then “plussing it” with imagination and innovention (innovation + invention = innovention).

Matterhorn, Disneyland

Walt Disney was that man. But what most people don’t realize is that Disneyland’s Matterhorn wasn’t a glimmer in Walt’s eye when the park opened in 1955. A pile of dirt occupied that spot–from the excavation of  the moat for Sleeping Beauty’s castle–called Holiday Hill.

Opening Coincided with Anniversary of 1st Successful Ascent

July 14, 2015 marked the 150th anniversary of the first successful ascent to the peak of the Matterhorn, Switzerland’s most famous mountain. It also marked the anniversary of the opening of Disneyland’s Matterhorn Bobsleds. Walt Disney was known for his meticulous attention to detail, so I’m sure he planned the coincidence.

Walt Disney and his wife Lillian loved to spend their summer vacations in Switzerland. However, it Matterhorn, Switzerlandwasn’t until Walt was in Zermatt, Switzerland filming the live action movie “Third Man on the Mountain” that he got the idea to build a to-scale (1/100) replica of the Matterhorn. Walt sent a postcard of the Matterhorn to Imagineer Vic Greene with the message “Build this!” written on the back.

Construction on the Matterhorn Bobsleds began in 1958 and the attraction opened on July 14, 1959, along with the Disneyland Monorail and Submarine Voyage. [PCs: Wikipedia]

Note: “Third Man on the Mountain” was based on the 1955 Newberry Honor book Banner In The Sky by James Ramsey Ullman.

A Roller Coaster “Inside” a Mountain?

I often wondered how Walt came up with idea for a roller coaster inside a mountain, until I read the history of the early railways in the Alps. Remember, Walt Disney was a huge railroad enthusiast–why there’s a railroad circling the park–and he and his wife spent many summers in Switzerland.

Glacier Express

A direct railway route through the Alps was considered as early as 1848. But it wasn’t until the latter half of the 19th Century that four great tunnels were constructed. Because the change in elevation from one side of a mountain to the other was too drastic for a direct route, spiral tunnels (helicoidal) were constructed to gain the necessary altitude and maintain the required grade for safe passage. You can read more here.

I spoke with Diane Disney Miller a few years ago while visiting the Walt Disney Family Museum, and asked if her father got the idea for the “bobsleds running through the mountain” from the spiral railway tunnels in the Swiss Alps? She smiled and replied, “I don’t know, but that certainly sounds like him.

The previous image is of the Glacier Express, Switzerland. [PC: Wikipedia]

Icon of Innovention

The new attraction had to twist and turn far beyond anything done before, and still remain safe. Bringing Walt’s idea into reality required innovention.

Hollow steel pipe track was used, instead of the flat tracks of traditional roller coasters. The tubular track had bracing welded to the outside of the rails, which allowed for contact with the bobsled on the top surface (with load bearing polyurethane wheels), on the inside to control horizontal movement, and on the bottom to restrict vertical movement. The tubular track was pressurized so sensors could alert when there was wear on the rails.

The bobsled cars are every bit as revolutionary as the track, as is the Ride Control System developed to operate and monitored the ride. The following illustration shows the intertwined tracks of the two bobsled routes, as featured in The “E” Ticket magazine (Number 42) — Disneyland’s Matterhorn Bobsleds.

Disneyland's Matterhorn Bobsleds, E Ticket Magazine

Note: A selection of “E” Ticket back issues are available through the Walt Disney Family Museum online shop.

I could go on and on, but I won’t. The following video is much more fun. Lederhosen aren’t required, but screaming is encouraged.

Matterhorn Bobsleds ~ Fantasyland Course (Right)

This video shows the 2015 refurbishment for Disneyland’s 60th Celebration, including a revitalized Abominable Snowman, updated special effects, and new props for staging.

Calling All Railfans (Train Buffs)!

I read (somewhere a while back) that the Matterhorn Bobsleds tubular track rail system was later used by some narrow gauge railroads, incorporating a third (tubular) rail at the center of the track. I don’t remember where I read this, and can’t find a reference. Would love to know if this is true. Thanks!

The Cats Behind the Mouse ~ Disneyland’s Feline Cast Members


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There are no words for the irony. Feral cats were original inhabitants of the Magic Kingdom…the place that started with a mouse.

Original Rulers of Sleeping Beauty’s Castle

When Disneyland opened in 1955, the interior of Sleeping Beauty’s Castle was empty. Later, when Walt Disney decided to build a walk-through attraction inside the castle, they discovered a significant number of feral cats had claimed it as their royal home. Unfortunately, there was also a huge infestation of fleas.

Sleeping Beauty's Castle, Disneyland, California

Homes were found for all the castle cats, the place was treated for fleas, and Sleeping Beauty’s Castle became the walk-through attraction we know it as today. Everything was good. That is, until rodents began to take over the park. Again…the irony.

No one had taken into consideration that the castle cats provided a much needed service–they kept the park free of unsavory vermin. So, when a new group of feral cats found their way onto Disneyland property, they were allowed to stay. These cats were trapped, neutered, then returned (TNR) to their home “land”, to maintain a stable (cat) population.

It’s no spoof, I’ve got proof!

Today, the Disneyland Resort (Anaheim, California) is home to approximately 200 feral cats. Disney neuters, feeds, and provides medical care for the cats, and in return the cats keep the park free of rodents and other vermin.

Feral cats have a home – outdoors! And although they appreciate a can of cat food, they don’t want to snuggle with you on your couch. ~Alley Cat Allies

Feral cats are not socialized to people, and prefer to stay out of sight. I recently visited Disneyland with the intention of photographing some of the resident feral cats. Intention is the operative word. I managed to get pictures of 9 of the 200 feral cats, and consider myself extremely lucky. Here’s proof of Disneyland’s most elusive ca(s)t members.

Becky ~ Rancho del Zocalo restaurant, Disneyland

Early one morning, I caught Becky climbing up to her perch atop Frontierland’s Mexican restaurant, Rancho del Zocalo. The way she poses, you’d think she knows the Bougainvillea backdrop compliments her complexion.
Becky, Disneyland Cat

Francisco & Friend ~ Grizzly River Run, California Adventure

Francisco (left) hangs out at Grizzly River Run in California Adventure, and is one of the friendliest of Disneyland’s feral cats. He’s been known to come near the fence to give park guests excellent photo-ops. His** friend (right) came out too, but stayed at a distance in camouflage.

**Most tortoiseshell cats are female, as are calico cats. However, there are rare male tortoiseshell and calico cats. Likewise, most orange tabby cats are male, yet I have a friend with a female orange tabby.

Francisco and Friend

Giovanni & Friend ~ California Adventure

Giovanni (left) hangs out at the Wine Country Trattoria restaurant (California Adventure) behind the upstairs terrace. His friend (right) hugged the rock wall far in the distance, pausing only long enough for me to snap a picture before darting out of sight.
Giovanni and Friend, Disneyland Cats, California Adventure

Disneyland Hotel Feline Cast Members

Cats also patrol the property around the Disneyland Resort hotels. I stayed at the Disneyland Hotel, and found a few shy cast members luxuriating in the bushes surrounding the pool and Trader Sam’s on the warm, sunny afternoons.
Cats at the Disneyland Hotel

I know some of the cat’s names, because I follow the Disneyland Cats blog, Twitter and Instagram accounts. I’m not kidding.

High-Tech Cattitude

Disneyland’s cats follow in Walt Disney’s footsteps with their love (and mastery) of technology. Apparently, cats can type. Hemingway’s cats had opposable thumbs (polydactyl), so why not? You can get all the latest mews, I mean news, straight from the cat’s paws. That is, if you can handle a little (?) snarky cattitude:

Swing Into a Hot Musical Weekend ~ In the Mood with Firehouse 5 + 2


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Are you “In the Mood” for Some Musical Fun?

Teenagers always think their parents’ music is lame, dorky, stupid, or just plain uncool. I was no different.

In the Mood, Nicholas Brothers

My parents were from the Big Band Era, and also loved Dixieland Jazz. It wasn’t that I didn’t like “their music”. It was guilty by association. Music couldn’t be cool if my parents liked it. Period. Luckily, I wised up by the time I hit my twenties.

Swinging with the Glenn Miller Orchestra

Swing came back in style in recent years. Still, no one does it better than Glenn Miller and his orchestra. “In the Mood” is one of my all-time favorites.

Heating Up the House with the Firehouse Five Plus Two

Dixieland Jazz always seems to be in style, maybe because it’s such happy music. I bet the “happiness factor” had a lot to do with bringing together a group of original Walt Disney Studios animators (who worked directly with Walt Disney) to form the Firehouse Five Plus Two.

These guys drew animated characters by day, and lit up the town with Dixieland Jazz at night. Their band was quite successful too, recording more than a dozen records that are available in digital formats today. The following image is from their appearance with Bing Crosby on his CBS radio program. [image: Wikipedia]

Firehouse Five Plus Two with Bing Crosby

The following 1951 recording of “Brass Bell Blues” features Ward Kimball (tb), Danny Alguire (tp), Clarke Mallery (cl), Frank Thomas (p), Harper Goff (bjo), Ed Penner (tu), and Monte Mountjoy (d). Google their names. You might be surprised by the Walt Disney Studios animated classics each of these men had a hand in creating.

The Mystical Power of Music


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visualmusicQuantum physics has proved that everything is made up of energy. Everything vibrates, just at different frequencies.

Sound is energy. And the wavelength of a sound determines its pitch, whether the human ear can hear it, and whether it’s pleasant or not. Some say music is the universal language.

Music is precise, like mathematics, and follows strict rules. Yet we’re able to appreciate music, whether we comprehend the rules or not. We “feel” music. The vibrations of one piece of music can affect us in a way no other piece of music will. Music speaks to us intuitively as well as physically. Image by Center for Visual Music.

A Mystical Force

The intrinsic power of music was understood by the American Indians, as well as the AustraliaMoviePoster_Australian aborigines.

In the movie Australia, the aboriginal Shaman used music to guide and direct people and things. The Shaman and his grandson Nullah (a shaman in the making) “sing” things to them, or use the power of music to push things away.

In one scene Nullah changes the course of a stampeding herd of cattle with song. In another scene, he brings his beloved adoptive family back together.

In the 21st century, that might seem a bit far-fetched to some. Especially since the story is a product of Hollywood. But the story rings true, because it’s based on truth. Music is sound waves, sound that connects all life.

In the following scene, Nullah “sings” Sarah (Nicole Kidman) back to him and Drover (Hugh Jackman).


Emotion Without Borders

If you need first-hand proof of the universal power of music, follow a popular musician or band as they play in different cities around the world. You might be surprised to witness concert halls filled with smiling and/or dancing people at every performance. It doesn’t matter what country, or the native language.

I first noticed this phenomena a few years ago while watching DVDs of Andre Rieu concerts that were filmed in various countries around the world. The music elicited the same emotional response from the crowds, no matter where they were in the world. The amazing thing is, the phenomena is not limited to a particular type or style of music.

Most of us have felt the mystical power of music at one time or another.

Do you have an experience you’d like to share?

Bardacious! Shakespeare Rocks


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Bringing this one back because…

Today is Shakespeare’s birthday!

Or the day his birth was registered (traditionally on a  Sunday back then, which it was on April 23, 1564), for those who want to be picky about it. But whatever. It’s still cause to celebrate, in my book. Because after 448 years his stories are still as popular as ever. Maybe more so, given the variety of media and audiences they’re still adapted for.

Which if you think about it, makes him one of the coolest dudes. Ever. But … how did he do it? (Photo credits: Shakespeare in Love)

Shakespeare’s Secret

No. I’m not talking about the age-old dispute over who wrote all those plays. If you really want to know who wrote Shakespeare, Eric Idle spills the undiluted truth here. Not for the faint of heart (you could die laughing). Don’t say you weren’t warned.

The REAL question (and most important for any writer) is… What makes Shakespeare’s stories so timeless? I admit I was clueless for a long time. I couldn’t get into the language, so of course I missed the bawdy jokes sprinkled throughout. That is, until I took a class in Shakespeare one summer to satisfy an English credit. To cut to the chase … Shakespeare was one racy dude. The professor delighted in his translations of all the bawdy bits. He made Shakespeare fun, and I was hooked. I discovered that Shakespeare keeps on appealing to generation after generation, because his stories are wrapped in the comedy and tragedy of the human condition. Not to mention being written to entertain the common folk (hence the bawdy jokes), as well as the elite.

YA Shakespeare

In case you’re thinking, “Yeah, right. Shakespeare’s just for old farts.” Think again. Aside from a new Romeo and Juliet movie coming out almost every decade (Leonardo DiCaprio and Clare Danes in the 1996 version, and Gnomeo & Juliet in 2011), other Shakespearean plays have become hits with a Hollywood YA spin.

She’s the Man is really Shakespeare’s Twelfth Night, a romantic comedy of mistaken identity that’s centered around a high school soccer team. When the girls’ soccer team is discontinued and Viola (Amanda Bynes) isn’t allowed to play on the boys’ team at her school, she’s out for blood. By impersonating her brother Sebastian (James Kirk…who’s away on a secret rock band trip) at his high school (her high school’s worst rival), she lands a position on their soccer team. She wants to help defeat her own school’s team in the season’s opening match.

But revenge is never that easy. Viola has to room with Duke (Channing Tatum), another soccer player, and falls for him hard. Of course, Duke is crushing on Olivia (Laura Ramsey), and Olivia only has eyes for Viola, because she thinks Viola is really Sebastian. Add a liberal dose of hormones, toss, and side-splitting hilarity is served. Amanda Bynes’ physical comedy is priceless. Seriously!

10 Things I Hate About You is really The Taming of the Shrew with a contemporary high-school spin. Kat (Julia Stiles) and Bianca (Larisa Oleynik) are polar opposite sisters. The younger Bianca is pretty, popular, and shallow. Kat, the older sister, is sharp of tongue and wit, but has the street cred of being the Ice Queen. Their father, Walter (Larry Miller), laid down a family law … Bianca can’t date until her older sister does.

This is a social death sentence for Bianca, because no guy in his right mind will talk to Kat, much less ask her out. As prom approaches, Bianca has two boys fighting over her: cool, vain Joey Donner (Andrew Keegan) and kind, shy Cameron James (Joseph Gordon-Levitt). Working as reluctant allies, Joey and Cameron go after a date for Kat (so Bianca can go to prom with one of them): Patrick Verona (Heath Ledger). He’s perfect, because he’s as scathing as she is and has the rap sheet to back it up. But getting Kat and Patrick together is harder than they thought. That is, until Patrick finally realizes that he’s in love with Kat and goes to shameless lengths to win her trust and tame the shrew.

What’s your Shakespearean favorite?

play … Movie … character … Actor

you name it!

Inquiring minds want to know!

Happy Earth Day!


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Nothing says “Happy” like a baby elephant…

Baby elephants pretty much rock my world any day. But flaunting this little guy’s awesomeness is especially appropriate on Earth Day.

His Singing in the Rain soft-shoe has the entire jungle in awe. So it’s not just me. I’m sure Gene Kelly would be feeling the envy. And with that trunk, he’d probably put Sinatra’s crooning to shame too.

The Illusive “Voice” ~ What Editors and Agents Want & Writers Seek


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Which way?At my first writing conference several years ago, editors and agents told the crowded room of enthusiastic writers that they were looking for “a unique voice”. I had no idea what that meant.

My response: “What the heck is that, and how to I get one?”

Luckily, I had enough sense not to say that out loud. Instead, I kept writing and going to conferences, and eventually I found my “voice”.

If you’ve been writing  fiction for some time, you’ve most likely developed your unique voice. This post is for anyone in the early stages of their writing journey, and are too shy to ask, “what the heck is voice?”

What is “Voice” anyway?

Voice, quite simply, is character and personality.

Voice is the rhythm, tempo, and style that sparks with originality, and projects emotion and tone. Voice blends the personality of the writer with that of the characters in a story.

“What’s so hard about that?” I just have to be myself,” you might be thinking.

True. But in good fiction, characters, events, emotions, and voice need to be larger than life. Translating personality onto the page in a way that is authentic and brings characters to life, can an obscure path to navigate. Trust me on this.

I don’t know about you, but talking about concepts only takes me so far. I need examples to ground ideas in something practical. The following examples of voice are in the first person, so the personality (voice) is easier to ascertain. Third person and omniscient points of view also have distinctive voices, but we’ll save that for another time.

The Princess Diaries

The book series was as popular as the movies, because of the unique voice Meg Cabot brings to her characters. Mia may be a princess, but her voice is that of a quirky, insecure, and slightly irreverent teenager. If you haven’t read the series, it’s a must for character study and voice.

But a PRINCE? Of a whole COUNTRY? I mean, I Princess Diaries DVknew Dad was in politics, and of course I knew he had money–how many kids at my school have summer homes in France? Martha’s Vineyard, maybe, but not France.

So what I want to know is, if my dad’s an actual prince, how come I have to learn Algebra? I mean, seriously.


The One and Only Ivan

Katherine Applegate uses the voice of Ivan to tell his heartfelt story. Ivan’s honest simplicity pulls us close and holds us there. Ivan is as believable (as a narrator) as his voice is unique.

 I am Ivan. I am a gorilla.TheOneAndOnlyIvan_cover

It’s not as easy as it looks.

People call me the Freeway Gorilla. The Ape at Exit 8. The One and Only Ivan, Mighty Silverback.

The names are mine. But they are not me. I am Ivan, just Ivan, only Ivan.


Rebel Belle

Rachel Hawkins infuses Southern charm and etiquette in the voice of her characters, in this fun and quirky, kick-butt tale.

Now this is when it really gets weird. I know, I know, dead janitor in disguise, killer history teacher, how much weirder could it get?

Lots. Trust me.

When Dr. DuPont put that sword–well, scimitar–on my neck, I didn’t feel scared, like, at all. Instead, I felt that tingle in my chest again, only this time, it was more like this … energy. …

I didn’t knee him in the groin, although I didn’t rule that move out. Instead I … ugh, this is so embarrassing.

I head-butted him.

I know, like a soccer hooligan or something.

Rebel Belle, by Rachel Hawkins

How do you find your voice?

You may be thinking, “Wow, those are great examples. But how do I find my voice?”

It’s a simple, but not quick. Don’t hate me:

Read. Read. Read, and read some more.

Read everything in your genre, then read authors in other genres. When you find an author whose style resonates with you, read everything they’ve ever written. Then read those books again. By reading and rereading their words, you absorb the rhythm and style of the prose. It’s learning through osmosis.

Voice isn’t a static thing, though. It’s a quality that evolves with the author, as they hone and polish their craft. That’s what’s so wonderful about writing. It’s not a static process. There’s always room for growth, for improvement.

Which author’s voice resonates with you?

Fanning the Creative Flame ~ Why Conferences Matter


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Asilomar Conference Grounds, Pacific Grove, CAThe SCBWI San Francisco/South Golden Gate Conference (at Asilomar) was earlier this month, my first conference in over a year. Such an amazing conference! I can’t believe I was so short-sighted, to go that long without attending a writing conference.

Oh sure, I had the standard rational excuses, that made perfect sense. Taking a year off from writing conferences would save time, money, and effort that would further my work in progress.

What I totally forgot, was how invaluable it is to connect with people who share the same passion. Writing can be such a solitary journey. I always come away from a conference with my creative energy renewed, and a feeling of deep kinship with others who are called to the writing journey.

Motivational Milestones & Inspiring Insights

Initially, I think of  conferences as motivational milestones for my current work in progress (WIP). I admit I am motivated by fear. So when I sign up for a professional critique, I am dangling a figurative hatchet over my head. I will work harder than ever to deliver the best possible pages by the submission deadline, out of fear of public humiliation. I put my self through this trial, because feedback from the editor of a major publishing house is invaluable. I always come away from such a critique with tools for improving my craft, and a clear path for strengthening my story.

Just as important as professional level feedback though, are the insights that arise from the talks and workshops given by the conference’s faculty.

Award winning illustrator E.B. Lewis reminded us all, writers and illustrators alike that:

We’re in the business of amazement.

Jodell Sadler, of Sadler Children’s Literary, invited us to see:

Language is music  … music is language.

E.B. Lewis delivered the most profound insight (for me) with his presentation on the language of pictures. He explained the components of an image that make it a story: narrative (plot), emotion, and anticipation (what’s next). A light bulb went on in my head when I realized that these are the same elements that comprise a well crafted scene in fiction.

Stories aren’t bound by format or medium. E.B. Lewis told us of a young boy who said he “writes the pictures”. We writers, paint with words.

E.B. Lewis, profile picture and quote

Synergy Happens

Creativity is contagious, and the Golden Gate Conference Brochure cover synergy at conferences is nothing short of miraculous. Sparkly new ideas dart about like fireflies, lighting new pathways of possibility.

I learn something from everyone I meet at a conference, and the connections forged can blossom into friendships that last years. 

If you’ve ever thought about writing for young readers, join SCBWI now. SCBWI provides extensive professional resources to its members. You won’t find a more welcoming and supportive group.  And they’re super fun.

I feel fortunate to have found the Society of Children’s Book Writers and Illustrators (SCBWI). They are my tribe, my people.

[All images are my own]


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